Disco Now Disco Then

Daft Punk are sitting pretty at the top of the UK singles chart for the first time. The track in question, ‘Get Lucky’, taken from their forthcoming album, ‘Random Access Memories’, came as something of a surprise, for instead of hitching itself to the current EDM juggernaut that’s sweeping America, the French duo have completely bucked the trend by drawing their influence from Disco, featuring its most celebrated guitarist, the great Nile Rodgers of the Chic Organisation (as well as R&B vocalist, Pharrell Williams). A media sensation, it’s everywhere at the moment – on the radio, on the TV, in [...]

Danny Krivit – Roller DJ

A week on Saturday I play a pretty special London gig at Loft Studios alongside NYC edit maestro Danny Krivit, the guy who set the standard back in the ’80s with his classic re-imagining of MFSB’s ‘Love Is The Message’, one of the quintessential New York Disco anthems. Full lowdown on the gig here, at Resident Advisor: http://www.residentadvisor.net/event.aspx?440816 […]

On The Tube

Exactly 30 years ago today, on 25th February 1983, I appeared on Channel 4’s influential music show, ‘The Tube’, demonstrating mixing for the first time on live TV in the UK – just my luck that the very point I was encapsulated in a cultural moment, it coincided with a brief phase where I looked like an extra from the Hair Bear Bunch, but that’s the way the mop flops. The footage is nowadays fondly regarded as part of British dance heritage, illustrating how the New York innovation of mixing was finally finding favour on this side of the Atlantic, [...]

Mark Kamins

Really shocked to hear that one of the great New York DJs, Mark Kamins, died in Guadalajara, Mexico last Thursday (Feb 14th) following a heart attack – he was only 57. Although our paths nearly crossed almost 30 years ago, it wasn’t until 2007 that I finally got to meet Mark, when he came to see me play in Vienna, where he lived at the time, and then again in Paris in 2009, after he’d moved there. Having returned to his home city, we planned to hook-up in New York 2 years ago, when I was over for Brooklyn’s Mister [...]

By |2025-04-07T10:37:50+00:00February 18, 2013|DJ / Club Culture, RIP, The Eighties|11 Comments

Early ’80s Floorfillers

Just uploaded the December ’82 edition of ‘Early ’80s Floorfillers’, which re-visits the biggest tracks I was playing on my nights back in ’82/’83, when I was a black music specialist, resident at venues including Wigan Pier, Legend, The Exit, Berties and The Haçienda in Manchester, and The Stars Bar in Huddersfield. The series is available to stream / download via SoundCloud and my Electrofunkroots website, which includes label / record sleeve scans for all the tracks that make the chart, along with a list of ‘other big tunes’ that month. […]

Northern Soul – A Photographic Journey

I’ve mentioned Brian Cannon here a few times, we used to work closely together way back when, between the mid-80’s and early 90’s when he did the artwork for pretty much all of the records I produced, including those by the Ruthless Rap Assassins and Kiss AMC, whom I also managed, securing deals for them with EMI. Brian subsequently went on to become the best-known record sleeve designer of the Britpop era, working in-house for both Oasis and The Verve under his Microdot moniker.

Living To Music – Rufus Featuring Chaka Khan ‘Rufusized’

I’m going to indulge myself this month with an album that I don’t think has ever been given its full dues, despite selling over a million copies following its release in 1974. As far as I’m concerned, it should be recognised as one of the great Soul / Funk albums of the 70’s, but, having introduced it to so many people down the years, a fair percentage of whom I was surprised had never previously heard it, I’m aware that there’s a blind spot when it comes to ‘Rufusized’, which, to my mind, perfectly fits the description of ‘hidden classic’.

Video Blog – Wild Style At The Amphitheatre

‘Wild Style’ is the quintessential Hip Hop movie – a docudrama, produced and directed by Charlie Ahern, that captures the movement just before it explodes on an unsuspecting world, subsequently providing the most influential cultural palette of the late 20th century via its 4 elements, emceeing, DJing, b-boying and graffiti.

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