This photo popped up on Facebook recently, taken by Mark McNulty, whose visual documentation of Liverpool’s club/music scene of the past 3 decades is now part of the city’s cultural legacy. It’s a photograph of a record cabinet Bill Drummond made following the death of Roger Eagle in 1999, which was displayed under the title ‘Dead White Man’ in the Jump Ship Rat, an alternative gallery space in Parr Street during Liverpool’s inaugural Biennial Festival that year, but not as part of the official programme, more an anarchic fringe event.
I’ve mentioned Brian Cannon here a few times, we used to work closely together way back when, between the mid-’80s and early ’90s when he did the artwork for pretty much all of the records I produced, including those by the Ruthless Rap Assassins and Kiss AMC, whom I also managed, securing deals for them with EMI. Brian subsequently went on to become the best-known record sleeve designer of the Britpop era, working in-house for both Oasis and The Verve under his Microdot moniker. Microdot was a name I suggested to him in 1990 at 23 New Mount Street, then a key Manchester music industry location, where my Murdertone office was based, and where Brian would open his own office / studio – it was here that his path would cross with Noel Gallagher, who was then working for the Inspiral Carpets, who were also based there.
I feel fully in the throes of festival season following last weekend’s Movement Detroit – it was a great way to make my debut in the city, with a Saturday main stage appearance in an impressive amphitheatre location.
One of the world’s most celebrated clubs, The Haçienda in Manchester, opened 30 years ago today, on Friday May 21st 1982. In June 2007, a little after the 25th anniversary, the inimitable Manchester-based writer / musician, John Robb, author of books including ‘The North Will Rise Again: Manchester Music City 1976-1996’ (2009), ‘The Stone Roses And The Resurrection Of British Pop’ (1996) and ‘Punk Rock: An Oral History’ (2006), did a short interview with me about the club’s legacy:
The acclaimed American photojournalist, Eve Arnold, died last week at the grand old age of 99. Best known for her photographs of Marilyn Monroe (taken over a 10 year period), especially those on the set of her final film, ‘The Misfits’ (1961), she had unrivalled access to the movie icon with her shots, often candid, capturing the human side of the Hollywood legend.
ARTIST: THE STONE ROSES
ALBUM: THE STONE ROSES
On New Years Day at 9pm, you’re invited to share a listening session with some likeminded souls, wherever you might be. This can be experienced either alone or communally, and you don’t need to leave the comfort of your own home to participate. Full lowdown here:
With the recent ‘Astrid And The Exis’ piece came the realisation that this was, over 100 posts in, the first time I’d focused on a photographer. I thought I’d better begin to address this accidental omission, and pay more props to the still image, starting off with the controversial Tokyo photographer Nobuyoshi Araki, now in his seventies, whose medium ranges from global art galleries to the pages of readers wives type porno mags (which brings to mind what Alan Moore said about the difference between erotica and pornography being largely dependent on the income bracket of the buyer).
This Sunday (Oct 2nd), at 9pm, you’re invited to share a listening session with some likeminded souls, wherever you might be. This can be experienced either alone or communally, and you don’t need to leave the comfort of your own home to participate. Full lowdown here:
Stayed in a mad hotel last Friday, the Karim Rashid designed Nhow in Berlin. If you like pink, then this is the place for you – it’s literally everywhere. Not really my cup of tea, all a bit garish and, as someone put it ‘Barbie girl in a Barbie world’, but certainly somewhere you’re not going to forget in a hurry. Described as a ‘music and lifestyle hotel’, you can have guitars and keyboards delivered to your room, and the upper section of the building houses two recording studios, which are run by the company that manage Berlin’s legendary Hansa studio (best known for David Bowie and Iggy Pop’s patronage in 1977 – ‘Heroes’ and ‘Lust For Life’, both recorded there, and ‘Low’ and ‘The Idiot’ partly recorded).