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The Future Starts Here

The Future Starts Here

There’s not much more I can say about John Higgs. He’s been a constant source of cerebral nourishment and emotional resonance during these past 5 years, since I read his cult-classic ‘The KLF: Chaos, Magic & The Band Who Burned A Million Pounds’ (2013). I’ve since been enlightened and entertained by his subsequent books, ‘Stranger Than We Can Imagine: Making Sense Of The Twentieth Century’ (2015) and ‘Watling Street: Travels Through Britain And Its Ever-Present Past’ (2017). John has a wonderful way of viewing history and culture, making many connections generally missed – I wrote more in depth about this in a piece about John and his work, when ‘Stranger Than We Can Imagine’ was published, called ‘Culture Reconstructor’:
//blog.gregwilson.co.uk/2015/09/john-higgs-culture-reconstructor/

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Memoir Of A Manchester DJ

Sonic Youth Slept On My Floor

Dave Haslam’s new book, ‘Sonic Youth Slept On My Floor’ has just been published by Constable. It’s an ode to his time in Manchester, from 1980 when he arrived in the city from his Birmingham home to study English Literature, right through until what he’s been up to in more recent times, but as you’d expect given Dave’s Haçienda legacy, particular emphasis is placed on his time as DJ at the much-hallowed venue, and the clubs that orbited around it.

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Tom Wolfe

Tom Wolfe

Tom Wolfe, the famous American author and journalist, died yesterday, aged 88. He wrote the countercultural classic, ‘The Electric Kool-Aid Acid Test’, published in 1968, which documented the exploits of Ken Kesey’s Californian LSD evangelists, The Merry Pranksters, who played a leading role in the emergence of the psychedelic era during the 1960s – their ‘Acid Test’ gatherings, originally at Kesey’s La Honda farm, unleashing psychedelic light shows, whilst providing the launchpad for the band The Grateful Dead.

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Life And Death On The New York Dance Floor 1980-1983

Life And Death On The New York Dancefloor

Back in the early 2000s, when I began to explore the internet properly, discovering a number of DJ forums discussing dance culture and its history, it was clear that the early ’80s had been largely obscured. This was the period that followed the supposed death of Disco in 1979 (prompted by the vitriolic racist / homophobic ‘’Disco Sucks’ campaign fronted by WLUP Chicago shock jock Steve Dahl), and preceded the emergence of House music during the mid-’80s.

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Cosmic Trigger Weekend

Cosmic Trigger Poster Photo By Elspeth Moore

First up I have to say that fortune favours the brave, and Daisy Eris Campbell and her brilliant cast and production crew are destined, I’ve no doubt, to really make their mark via ‘Cosmic Trigger’, a bold adaptation of the Robert Anton Wilson book. Hugely ambitious in its scope, the 4 hour play now moves to London where there’ll be performances at LOST Theatre in SW8, kicking off tonight and running through until Saturday – needless to say that it’s highly recommended. The backstory to all this can be accessed via ‘The Gateway Drug’, which you can read here:
//blog.gregwilson.co.uk/2014/11/the-gateway-drug/

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The Gateway Drug

KLF

I’m all about connections. What really turns me on is when two previously separate areas of interest suddenly collide head on thanks to the discovery of a new piece of information. The connections are already there, it’s just that we’re blind to them much of the time, so when John Higgs, the author of ‘The KLF: Chaos, Magic And The Band Who Burned A Million Pounds’, does the detective work and pieces of the jigsaw fall together in a way that reveals a different picture to what we may previously have envisaged, that’s a deeply nourishing feast for me.

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