Trevor Jackson is something of a cultural maven whose thirty-plus years in the more underground corridors of the music industry has seen him fulfil a number of catalytic roles – starting off as a graphic designer at Champion Records in the late-‘80s, responsible for the S-Express ‘Theme From S-Express’ and Raze ‘Break 4 Love’ sleeves, amongst many other subsequently. Later a recording artist in his own right (Playgroup), a record company owner (Output) and, of course, a DJ, he continues to do his thing in his own inimitable way.
I was at baggage claim in San Francisco airport in November 2008, just about to embark on my first visit to the city, when I received a call from my agent, Matt Johnson, telling me that Huw Owen from the production company Something Else had been in touch requesting an Essential Mix from me for Pete Tong’s BBC Radio 1 show. December 13th had originally been suggested as the date of broadcast, but in the end we settled on January 17th, with delivery requested 5 days earlier on the 12th.
The complete Random Influences is now available to stream via Mixcloud. This is a series of 2 x 12 hour long podcasts I put together in 2010 to mark my 50th birthday, comprising of a full 24 hours worth of music, all 7” singles from my formative years, with only records released before I started out as a DJ in December 1975 featured. As the title suggests this is a random, rather than definitive selection.
During the last few months I’ve been particularly swamped, working hard on a project that I can happily say has now reached fruition as ‘Blind Arcade Meets Super Weird Substance In The Morphogenetic Field’ – a mixtape featuring 19 tracks, mainly recordings by Blind Arcade. It’s just been made public on SoundCloud, having been shared privately with friends and supporters over the weekend, and we’ve been so happy to see how quickly it’s being embraced in these past 24 hours. It’s available here as a free download:
Following a run of 2 years 9 months I’ve decided to wind things down with Living To Music, perhaps making it an irregular feature of the blog from herein. Up until now it had been a monthly series, but something has to give and, as I’m currently stuggling to fit in all the things I need to be doing, I can’t maintain this commitment, although I don’t want to stop the series completely.
2013 sees Greg Wilson taking his first steps back into record production, starting off with Schooled In The Classics, a series of groove based dance tunes put together to play out at his gigs, the initial tracks being first road tested in Chicago and New York last year to a great response. Greg now plans to issue 8 Schooled In The Classics tracks this year, both digitally and via 4 limited edition 180g vinyl releases. The first 2 tracks in the series, ‘12-Turn-13’ and ‘Blue Angel’, are issued this week.
It’s 2013 and Coldcut duo Jonathan More and Matt Black are celebrating the 25th anniversary of their Solid Steel radio show. To mark this milestone, a number of selectors have been invited to contribute a mix to the programme, its presenters choosing various artists and DJs they feel have had a significant presence at some point during the last 25 years. I regard it as a big compliment to be one of those approached, so was more than happy to oblige, the only brief being that they wanted us to weigh in with something that sits outside of that for which we’re generally known, which suited me fine – it was just a case of what?
I did an interview last July with James Thirkettle for a documentary project he’s working on called ‘How Do You Listen To Music?’ He’s just uploaded it to YouTube, where he describes it as follows:
Just uploaded the December ’82 edition of ‘Early ’80s Floorfillers’, which re-visits the biggest tracks I was playing on my nights back in ’82/’83, when I was a black music specialist, resident at venues including Wigan Pier, Legend, The Exit, Berties and The Haçienda in Manchester, and The Stars Bar in Huddersfield. The series is available to stream / download via SoundCloud and my Electrofunkroots website, which includes label / record sleeve scans for all the tracks that make the chart, along with a list of ‘other big tunes’ that month.