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Author Archive | Greg Wilson

20 Choice Edits & Reworks 2019

Revox

Now in its 8th year, 20 Choice Edits & Reworks is a personal selection, based on new interpretations of tracks I’ve been playing during the previous 12 months. These don’t include official remixes of older tracks (for example, Joey Negro’s excellent update of ‘Can’t Live Without Your Love’ by Tamiko Jones this year), reflecting the more underground nature of the edits scene, where DJs share their work either digitally or via limited vinyl pressings. The full selection is available to stream via SoundCloud: Continue Reading →

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Yellomix 83-85

Yello Coloured

This was originally meant as my small contribution to last April’s Cerne to CERN continental Happening, where the Liverpool Arts Lab hooked up with the Cosmic Trigger crew for a magic bus ride into the beyond (in this case Damanhur in Italy, before crossing the Swiss border on route to Geneva to head to the site of the CERN collider).

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Classic Albums By Women

It’s been great to see Classic Album Sundays, the brainchild of DJ and radio presenter Colleen ‘Cosmo’ Murphy, grow from strength to strength since its inception in 2010. In July that year I launched the monthly Living To Music series on my blog, with a classic album selected for the first Sunday of each month and the listeners subsequently sharing their impressions online. On hearing about this, a mutual friend had told me that Colleen was doing something similar in a more intimate manner, sitting down after Sunday dinner to listen to favourite LPs with family and friends – these gatherings evolving the name Classic Album Sundays. Living To Music would inspire Colleen to take a more direct approach, putting on audiophile listening events, the first of these held that October at the Hanbury Arms in North London, initially following the same albums I was featuring on Living To Music, but subsequently branching out on its own direction.

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Mister Good Times

Norman Jay MBE is no less than a UK DJ icon. A first generation Black Briton born into a Notting Hill-based Caribbean family, Norman first came to wider attention via London’s mid-‘80s Rare Groove scene, underpinned by his ‘Original Rare Groove Show’ on the city’s then pirate dance music station Kiss FM, having initially set out his stall via annual appearances at the Notting Hill Carnival, where his brother, Joey, re-branded his Great Tribulation Reggae sound system to the Funk / Disco / Soul-geared Good Times Roadshow.

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A&R Edits Reactivated

A&R Edits #10

The limited-edition A&R Edits label returns to vinyl after a 4 year gap, the last and 9th release in the series appearing back in 2015 – previous edits courtesy of Henry Greenwood, Derek Kaye, Sophie Lloyd, F.A.M.E, Fingerman, Peza and Twisted Soul Collective. The new release, a collaboration between Henry and myself, couples ‘Disco Mondo’ with ‘In The City’, and is available to purchase here via Juno:
https://www.juno.co.uk/products/gw-henry-disco-mondo/739367-01/

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Trevor Jackson Selects Island

Island Records Collage

Trevor Jackson is something of a cultural maven whose thirty-plus years in the more underground corridors of the music industry has seen him fulfil a number of catalytic roles – starting off as a graphic designer at Champion Records in the late-‘80s, responsible for the S-Express ‘Theme From S-Express’ and Raze ‘Break 4 Love’ sleeves, amongst many other subsequently. Later a recording artist in his own right (Playgroup), a record company owner (Output) and, of course, a DJ, he continues to do his thing in his own inimitable way.

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Glastonbury Mixes 2019

All 4 of my mixes from this year’s Glastonbury Festival have now been uploaded to SoundCloud. It was great to be back after a 4-year absence, and I made up for lost time playing a quartet of gigs in the space of 26 hours, 3 on the Saturday and 1 on the Sunday.

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The Psychology Of DJing – Gilles Peterson

The Psychology Of DJing

When I was over in Australia last November I was interviewed by Gilles Peterson for his series ‘The Psychology Of DJing’ as part of the Sydney Electronic Music Conference. It was an interview that covered many aspects of my career, much of which I’ve spoken about on numerous occasions previously. However, there was a different context to this – most of the time the interviewer is much younger than me, so they didn’t personally experience the times I’m talking about and the way things worked back then in the specialist areas of black music, whereas Gilles comes from the same roots as me, part of the next wave of DJs that followed-on from the Jazz-Funk era, when I first emerged on the specialist scene.

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