Following on from the ‘Credit To The Edit Vol 3’ CD release on Tirk earlier this year, we’re pleased to let you know that 8 of the tracks have been pressed to vinyl – 2 discs, 2 tracks per side.
After having to put the Super Weird Substance label on the backburner for a while (although we were still very much active with last year’s ’14 Hour Super Weird Happening’ and the ‘Alan Moore’s Mandrill Meets Super Weird Substance At The Arts Lab Apocalypse in Liverpool’, we are now in the process of recalibration – the first step being this limited-run 12”, featuring 2 tracks previously released on the label that sold out of existing vinyl supplies, with a demand building since, plus 2 more never previously available on vinyl. The record can be ordered here:
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The twenty fifth and final edition of my ‘Discotheque Archives’ series for DJ Mag is now online, featuring more landmarks in pre-Rave club culture:
Last year, Isaac Ferry, who runs Gouranga, which has hosted some of my live mixes on SoundCloud, asked if I’d be up for doing something more bespoke, suggesting I focus in on Chic, given both their history and more recent renaissance as one of the must-see live feelgood experiences of the festival calendar.
Sheffield-born Peter Stringfellow who died yesterday, aged 77, was Britain’s most famous nightclub entrepreneur. The glitzy London club that bore his name a magnet for celebrities during the ‘80s, epitomising the glamourous world he always sought, in contrast to his cash-strapped working class roots.
The recent Childish Gambino video to ‘This Is America’ provided a genuine cultural moment, reminding us of the long-standing tradition of the protest song, and how well-chosen words (combined with imagery in this case) can pierce us on a deeper level.
Dave Haslam’s new book, ‘Sonic Youth Slept On My Floor’ has just been published by Constable. It’s an ode to his time in Manchester, from 1980 when he arrived in the city from his Birmingham home to study English Literature, right through until what he’s been up to in more recent times, but as you’d expect given Dave’s Haçienda legacy, particular emphasis is placed on his time as DJ at the much-hallowed venue, and the clubs that orbited around it.
The twenty fourth and penultimate edition of my ‘Discotheque Archives’ series for DJ Mag is now online, featuring more landmarks in pre-Rave club culture:
I received a copy of the new Late Nite Tuff Guy remix 12” through the post recently. Issued by Salsoul, the classic New York label that unleashed numerous dancefloor gems between 1974-84, including the very first commercially available 12”, ‘Ten Percent’ by Double Exposure (1976). LNTG’s 12” included another Double Exposure favourite, ‘Everyman’, plus ‘Dr Love’ by First Choice, both of which have been huge for me, having received digital copies in the last couple of years – ‘Everyman’ topping my ’20 Choice Edits & Reworks’ selection for 2017, whilst ‘Dr Love’ featured on the 2016 list:
Tom Wolfe, the famous American author and journalist, died yesterday, aged 88. He wrote the countercultural classic, ‘The Electric Kool-Aid Acid Test’, published in 1968, which documented the exploits of Ken Kesey’s Californian LSD evangelists, The Merry Pranksters, who played a leading role in the emergence of the psychedelic era during the 1960s – their ‘Acid Test’ gatherings, originally at Kesey’s La Honda farm, unleashing psychedelic light shows, whilst providing the launchpad for the band The Grateful Dead.