Back in the early 2000s, when I began to explore the internet properly, discovering a number of DJ forums discussing dance culture and its history, it was clear that the early ’80s had been largely obscured. This was the period that followed the supposed death of Disco in 1979 (prompted by the vitriolic racist / homophobic ‘’Disco Sucks’ campaign fronted by WLUP Chicago shock jock Steve Dahl), and preceded the emergence of House music during the mid-’80s.
The fourth edition of my ‘Discotheque Archives’ series for DJ Mag is now online, featuring more landmarks in pre-Rave club culture:
Whilst London’s Acid House era is defined by nights like Shoom, Spectrum, Future and The Trip, there was also a crucial off-the-beaten-track warehouse party in Alperton near Wembley called Hedonism, which helped define the spirit of the era. Although there were only a quartet of gatherings in all, taking place between February and May ’88 (the event originally intended as a one-off), their impact would resonate throughout the capital.
The anniversary weekend in Liverpool went off wonderfully, both at the celebratory Saturday night gathering in The Garage and a somewhat more sedate talk session on the Sunday evening at Jacaranda Records.
Today marks the 40th anniversary of my first club appearance. Last night I played for 5 hours at The Garage and tonight I’m at The Jacaranda to conclude a celebratory weekend in my home city of Liverpool with a talk about what it was like to be a DJ back in those proto-Disco days.
Only just heard the sad news that DJ Colin Faver died last Saturday – he was 63.
Today saw the 2nd release on my new label, Super Weird Substance. It’s a tune that’s already become a big favourite when I’m playing out, people aware of it from its inclusion in a number of live mixes – it’s a track I’ve thoroughly roadtested, fine tuning until I was totally happy with how it sounded in a club environment.
Revisiting my Electro-Funk past this Saturday with a gig at Café 1001 in London’s Shoreditch for Memory Box. The night, titled ‘A History Of Electro’, will feature a live performance from West Coast rapper Egyptian Lover, whose 1984 tracks ‘Egypt, Egypt’ and “My House On The Nile’ assured his place as a pioneering Hip Hop artist.
Been meaning to get this amended article onto the blog. It’s something I originally wrote back in 2003 for Grandslam magazine as a feature revolving around the release of 2 No Wave compilations at the time, one on the re-activated ZE label, the other on Soul Jazz. The piece was originally published under the title ‘When Punk Met Funk’.
Liverpool is on the cusp of something special. I firmly believe that the cogs are clicking into place and the connections are being made as we enter a new cycle in this unique city’s cultural quest.