This Sunday (June 3rd) at 9pm, you’re invited to share a listening session with some likeminded souls, wherever you might be. This can be experienced either alone or communally, and you don’t need to leave the comfort of your own home to participate. Only the 2nd live recording selected for Living To Music, ‘Stop Making Sense’ is the soundtrack to a brilliantly original stage performance, which is available on DVD and highly recommended.
One of the defining moments of my DJ career took place exactly 30 years ago, on Monday May 10th 1982, when my first radio mix was broadcast on Mike Shaft’s show, ‘T.C.O.B’ (Taking Care Of Business), on Manchester’s hugely influential Piccadilly Radio, which played a major part in bringing black / dance music to wider attention during the 70’s and ‘80’s - from Soul, Funk and Disco, through Jazz-Funk and Electro, and on into Hip Hop, House and Techno.
This Sunday (May 6th) at 9pm, you’re invited to share a listening session with some likeminded souls, wherever you might be. This can be experienced either alone or communally, and you don’t need to leave the comfort of your own home to participate. Described by Lloyd Bradley, the author of 'Bass Culture' as 'one of the supreme heavyweight champion dub sets', melodica player / keyboardist, Augustus Pablos, get's the full dub treatment from one of its founding fathers, King Tubby.
When the crew behind Manchester’s Electric Chair brought their monthly club night to an end at the beginning of 2008, they’d decided their next move would be from club to pub, opening a bar a few miles outside of the city centre in Chorlton-Cum-Hardy, which they called Electrik... I was invited to play there on Sunday April 1st, a suitable date for such an endeavour I thought – if anyone turned up expecting a normal type DJ slot from me at least I had a valid April Fools get out clause. Ahead of the night Electrik announced ‘Greg Wilson...no reel to reel...1 record deck...no mixing...mind the gap’.
One of the biggest tunes for me during the past 12 months has been the edit I did of Late Nite Tuff Guy’s ‘One Nite In A Disco’. It’s finally been made available as a digital download, having previously been part of a limited vinyl only EP, which, now digitized, is topping Juno’s Disco download chart as I write this:
This Sunday (April 1st) at 9pm, you’re invited to share a listening session with some likeminded souls, wherever you might be. This can be experienced either alone or communally, and you don’t need to leave the comfort of your own home to participate. Portishead are part of a Bristolian bass lineage that also includes Massive Attack, Tricky, The Wild Bunch and Smith & Mighty, who, between them, stirred up groove cauldrons of Hip Hop, Funk, Electro, Soul, Jazz, Dub and Lovers Rock, with a pinch of Punk thrown in for good measure, distilling a unique British flavour that could only have come from this city.
I originally became aware of Fleetwood Mac via their chart topping single 'Albatros' (1969), an almost ambient instrumental opus that had your senses surfing on an ethereal wave of sound - band founder Peter Green's hauntingly understated guitar a joy to behold.
Before I headed off on tour I pulled out my recently acquired copy of Bob Dylan's autobiography 'Chronicles: Volume One' (2004), which I'd specifically earmarked for this trip. However, on my connecting flight from Manchester to London I realised that rather than packing it in my hand baggage, as intended, I must have put in my suitcase, so, with my luggage checked through to Hong Kong, when I arrived at Heathrow I went into WH Smith to see if I could find something else to read on the journey. I was really looking forward to the Dylan book, so, when I saw it on the shelf I decided to get another copy, and pass the spare one on somewhere along the way.
Since scaling the dizzy heights between 1965-1970, with partner in harmony Art Garfunkel, Paul Simon’s solo career, despite a strong start, had gradually stalled from the mid-70’s onward and, by the 80’s he was pretty much regarded as a name from the past who, like other names from the past, continued to release LP’s that no longer caught the public’s interest. His album prior to ‘Graceland’, 1983’s ‘Hearts And Bones’, was considered a commercial flop (although it would receive retrospective critical acclaim) and, with the weight of failure on his shoulders, it looked like his best work was well behind him.
As we enter 2012 I thought this would be the ideal Living To Music choice to kick off the year, especially given that the first Sunday in January is also the first day of a new year. This highly acclaimed and much-loved 1989 LP, which perfectly caught the mood of the times, provides us with the opportunity to re-visit the past, whilst looking ahead to the summer. When an announcement was made earlier this year, that The Stone Roses are to re-form for 2 shows at Manchester’s Heaton Park in June 2012 (with a 3rd later added), there was genuine intrigue and anticipation. This wasn’t a case of another comeback cash-in, but something more symbolic. If ever there was a band with unfinished business to accomplish, it’s The Stone Roses.
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