The Queen is dead. Aretha Franklin, born in Detroit 76 years ago, and destined to be acknowledged as ‘The Queen Of Soul’ following her late-‘60s breakthrough, was the daughter of minister C.L. Franklin, developing her vocal prowess in the church, before embarking on a secular career in 1960, when she was 18.
Dave Haslam’s new book, ‘Sonic Youth Slept On My Floor’ has just been published by Constable. It’s an ode to his time in Manchester, from 1980 when he arrived in the city from his Birmingham home to study English Literature, right through until what he’s been up to in more recent times, but as you’d expect given Dave’s Haçienda legacy, particular emphasis is placed on his time as DJ at the much-hallowed venue, and the clubs that orbited around it.
I received a copy of the new Late Nite Tuff Guy remix 12” through the post recently. Issued by Salsoul, the classic New York label that unleashed numerous dancefloor gems between 1974-84, including the very first commercially available 12”, ‘Ten Percent’ by Double Exposure (1976). LNTG’s 12” included another Double Exposure favourite, ‘Everyman’, plus ‘Dr Love’ by First Choice, both of which have been huge for me, having received digital copies in the last couple of years – ‘Everyman’ topping my ’20 Choice Edits & Reworks’ selection for 2017, whilst ‘Dr Love’ featured on the 2016 list:
Tony Williams, the accidental UK catalyst for the fusion of Jamiacan Dub and New York dance music during the early-‘80s, sadly died on April 30th. Tony has received scant acknowledgement for this, and it wasn’t until I interviewed him in 2004 that he became aware of this legacy, resulting from the underground popularity of the self-released ‘(Money) No Love’ (artist credit Bo Kool, and arguably the first UK rap recording) and its instrumental flip side ‘Love Money’ (artist credit Funk Masters) pressed up in 1980 on a label named after his daughter, Tania – his production debut. When I commenced my Discotheque Archives series for DJ Magazine, the first edition featured ‘Love Money’ as the Classic Single:
In December 2003, when I made my comeback after a 2-decade hiatus at the Music Is Better night in Manchester club The Attic, one of the tracks I featured that night was the 1982 Electro-Funk cult-classic ‘The Voice Of Q’ by Q. I also played it the following month in London, when I appeared at Ouch! @ The Key in Kings Cross.
It’s a special night tonight, when we look back to one of Manchester’s great clubs, Legend, which was my Wednesday night home circa 1981-84. I’ve previously written about my much-treasured time there in a blog piece called ‘Legend – Manchester’s Other Club’:
This weekend Colin Curtis celebrates his 50th anniversary as a DJ with a special event at The Exchange in his home city of Stoke-On-Trent. Colin started out in his mid-teens at Newcastle-Under-Lyme’s Crystal Ballroom, before making his all-nighter debut at Stoke’s hallowed Golden Torch, one of Northern Soul’s foundation venues, eventually becoming one of the scene’s leading figures as a result of his legendary ‘70’s partnership with Ian Levine at the Blackpool Mecca. Info about the anniversary date here:
I’ve written / adapted some sleeve notes for the new Joey Negro / Z Records compilation, which I’ve reproduced below. The album is available now on CD and digital, whilst there’s also a vinyl double-pack available, featuring 8 of the tracks, 2 per side. You can purchase the various formats here:
The eleventh edition of my ‘Discotheque Archives’ series for DJ Mag is now online, featuring more landmarks in pre-Rave club culture:
The tenth edition of my ‘Discotheque Archives’ series for DJ Mag is now online, featuring more landmarks in pre-Rave club culture: