2013 sees Greg Wilson taking his first steps back into record production, starting off with Schooled In The Classics, a series of groove based dance tunes put together to play out at his gigs, the initial tracks being first road tested in Chicago and New York last year to a great response. Greg now plans to issue 8 Schooled In The Classics tracks this year, both digitally and via 4 limited edition 180g vinyl releases. The first 2 tracks in the series, ‘12-Turn-13’ and ‘Blue Angel’, are issued this week.
Archive | February, 2013
LABEL: ONE LITTLE INDIAN
This Sunday (March 3rd) at 9pm, you’re invited to share a listening session with some likeminded souls, wherever you might be. This can be experienced either alone or communally, and you don’t need to leave the comfort of your own home to participate. If it’s not possible to make the allotted time, hopefully you can join in at your convenience at some point during the following weeks. See update here:
Exactly 30 years ago today, on 25th February 1983, I appeared on Channel 4’s influential music show, ‘The Tube’, demonstrating mixing for the first time on live TV in the UK – just my luck that the very point I was encapsulated in a cultural moment, it coincided with a brief phase where I looked like an extra from the Hair Bear Bunch, but that’s the way the mop flops. The footage is nowadays fondly regarded as part of British dance heritage, illustrating how the New York innovation of mixing was finally finding favour on this side of the Atlantic, where the microphone was still a key component of the DJs approach. For a full account of how UK DJs gradually put down the microphone and embraced mixing, check out ‘How The Talking Stopped’, an in-depth step by step account of its British evolution:
It’s 2013 and Coldcut duo Jonathan More and Matt Black are celebrating the 25th anniversary of their Solid Steel radio show. To mark this milestone, a number of selectors have been invited to contribute a mix to the programme, its presenters choosing various artists and DJs they feel have had a significant presence at some point during the last 25 years. I regard it as a big compliment to be one of those approached, so was more than happy to oblige, the only brief being that they wanted us to weigh in with something that sits outside of that for which we’re generally known, which suited me fine – it was just a case of what?
Really shocked to hear that one of the great New York DJs, Mark Kamins, died in Guadalajara, Mexico last Thursday (Feb 14th) following a heart attack – he was only 57. Although our paths nearly crossed almost 30 years ago, it wasn’t until 2007 that I finally got to meet Mark, when he came to see me play in Vienna, where he lived at the time, and then again in Paris in 2009, after he’d moved there. Having returned to his home city, we planned to hook-up in New York 2 years ago, when I was over for Brooklyn’s Mister Saturday Night, but he emailed to inform me that he was on the move again, having landed a new job tutoring on electronic music at a university in Guadalajara.
I did an interview last July with James Thirkettle for a documentary project he’s working on called ‘How Do You Listen To Music?’ He’s just uploaded it to YouTube, where he describes it as follows: