Just come across a few paragraphs I wrote as part of my Time Capsule series, where month by month I compiled a selection of the tracks I was playing back in the ‘70s when I started out as a DJ, writing accompanying text about the music featured and my own progression within the local club scene on Merseyside, and more specifically my hometown of New Brighton. I managed to cover the period January 1976 (December 1975 if the prequel, ‘First Impressions’, is included) to September 1977 (each edition originally put together exactly 30 years on, between Jan ‘06 – Sept ‘07) but the process became too time-consuming to maintain, at a point when my DJ trajectory had really built momentum.
Tag Archives | Time Capsule
I’ve finally managed to collect all my main online activity together, by way of a hub page that provides a sort of easy to bookmark one-stop shop with everything accessible from a single page.
Rewinding 40 years, a new double-album had just been issued that would provide the black music event of the year. 1976 marked the emergence of Punk, but my attention, as a 16 year old DJ working at local venues, the Chelsea Reach and the Penny Farthing in my hometown of New Brighton, was very much geared towards the Soul, Funk and Disco flavours of the time, and the release of a new Stevie Wonder album, let alone a double album (which also included a bonus 4 track EP), was greatly anticipated. It was the first UK release on the newly designed blue Motown label, which had replaced the classic Tamla Motown label that had issued all Motown output here since the mid-’60s, bringing the company’s various imprints (including Motown, Tamla, Gordy, Soul and V.I.P) under one inimitable umbrella.
Today marks the 40th anniversary of my first club appearance. Last night I played for 5 hours at The Garage and tonight I’m at The Jacaranda to conclude a celebratory weekend in my home city of Liverpool with a talk about what it was like to be a DJ back in those proto-Disco days.
The Northern Soul movement has marked 2 significant anniversaries this year – the launch of the weekly All-Nighters at the scene’s most famous venue, Wigan Casino, in 1973, as well as the opening of its foundation club, Manchester’s Twisted Wheel, 10 years earlier. A new book, ‘Northern Soul – An Illustrated History’ was recently published by Virgin Books, its co-author, Bury-born Elaine Constantine, also the director of the upcoming film ‘Northern Soul’. The book has been well received by Northern aficionados, Constantine (and Gareth Sweeney) congratulated for their insightful overview of the movement, which is enhanced by the anecdotal offerings of some of the DJs, dancers and collectors who epitomized Northern Soul. Alongside the music and the clubs in which it featured, the book also highlights the drug culture that played such a major role, amphetamines fuelling its development.
Following a run of 2 years 9 months I’ve decided to wind things down with Living To Music, making it an irregular feature of the blog from herein. Up until now it had been a monthly series, but something has to give and, as I’m currently stuggling to fit in all the things I need to be doing, I can’t maintain this commitment, although I don’t want to stop the series completely.
ALBUM: MOTHERSHIP CONNECTION
This Sunday (July 1st) at 9pm, you’re invited to share a listening session with some likeminded souls, wherever you might be. This can be experienced either alone or communally, and you don’t need to leave the comfort of your own home to participate. Full lowdown here:
When the crew behind Manchester’s Electric Chair brought their monthly club night to an end at the beginning of 2008, they’d decided their next move would be from club to pub, opening a bar a few miles outside of the city centre in Chorlton-Cum-Hardy, which they called Electrik.
In December 2005 I wanted to do something to mark the 30th anniversary of when I made my club debut, on December 6th 1975 at the Chelsea Reach in New Brighton, and I came up with the idea of compiling a selection of 25 singles that I was carrying in my record crates at the time (we used to use old wooden drinks crates, which were the perfect size for 7” singles – the 12” not making its appearance until the following year).