Launching in Manchester on Thursday (January 30th), the British Culture Archive present a photographic exhibition, ‘The People’s City’, in conjunction with the host venue, The Refuge on Oxford Street, highlighting the work of Peter Walsh, Rob Bremner and Richard Davis, and curated by Paul Wright. This follows on from their debut exhibition late last year at The Social in London.
Tag Archives | The Tube
Following the re-boot of the A&R Edits imprint last year, the latest 12”, #11 in the series, is now available, coupling Italian DJ Moplen’s edit of mid-‘70s Disco favourite, ‘It Only Takes A Minute’ by Tavares, with a collaboratory take on David Joseph’s ‘You Can’t Hide (Your Love From Me)’, the result of my 2011 edit of Moplen’s edit of Larry Levan’s 1983 remix of the track, which now finally finds its way onto vinyl.
Trevor Jackson is something of a cultural maven whose thirty-plus years in the more underground corridors of the music industry has seen him fulfil a number of catalytic roles – starting off as a graphic designer at Champion Records in the late-‘80s, responsible for the S-Express ‘Theme From S-Express’ and Raze ‘Break 4 Love’ sleeves, amongst many other subsequently. Later a recording artist in his own right (Playgroup), a record company owner (Output) and, of course, a DJ, he continues to do his thing in his own inimitable way.
Back in 1966, The Beatles’ record producer, George Martin, executed my favourite singular edit of all time. John Lennon had been working on the now iconic ‘Strawberry Fields Forever’ – he’d recorded 2 versions, and was faced with the dilemma of wanting to use the first section of one recording, but take the rest of the track from a completely different and more progressive version. His comment to George Martin, when the producer pointed out the difficulties of matching pitch and tempo, was ‘you can fix it’. The fixed version is the definitive one that we all know, two recordings perfectly merged together by one decisive splice. You can hear it, if you listen carefully, at just before the minute mark, on ‘going to’:
Having just marked the 10th anniversary of my DJ return, I’ve now reached the 30th anniversary of when I cut out first time around at the end of ’83 – my last Wigan Pier appearance on Tuesday 28th December, before rounding things off at Legend the next night. During the same week my final mix for Mike Shaft’s show on Piccadilly Radio was broadcast. Following on from the previous year’s ‘The Best Of 82’, which had caused such a stir, ‘The Best Of 83’ did what it said on the tin, bringing together the biggest tunes I was playing that year. My successor, Chad Jackson (a future DMC World Mixing Champion) would continue the ‘Best Of’ tradition on Piccadilly, with the baton later handed on to Stu Allan – these end of year mixes continuing until 1992.
It was 30 years ago that I launched my specialist weekly dance night on Friday August 19th 1983 at The Haçienda in Manchester, then very much a club struggling to find its identity. It was a case of too much space and not enough people during those difficult early years of its existence (having opened in May 1982), and, as I’ve said previously, had it not been for New Order’s success (the band were co-directors of The Haçienda) it would never have survived – Peter Hook’s book ‘The Haçienda – How Not To Run A Club’ is testament to the follies of a group of idealists who somehow, despite their near suicidal naivety, managed to (eventually) shape the Manchester nightspot into one of the world’s most legendary clubs:
Exactly 30 years ago today, on 25th February 1983, I appeared on Channel 4’s influential music show, ‘The Tube’, demonstrating mixing for the first time on live TV in the UK – just my luck that the very point I was encapsulated in a cultural moment, it coincided with a brief phase where I looked like an extra from the Hair Bear Bunch, but that’s the way the mop flops. The footage is nowadays fondly regarded as part of British dance heritage, illustrating how the New York innovation of mixing was finally finding favour on this side of the Atlantic, where the microphone was still a key component of the DJs approach. For a full account of how UK DJs gradually put down the microphone and embraced mixing, check out ‘How The Talking Stopped’, an in-depth step by step account of its British evolution:
One of the world’s most celebrated clubs, The Haçienda in Manchester, opened 30 years ago today, on Friday May 21st 1982. In June 2007, a little after the 25th anniversary, the inimitable Manchester-based writer / musician, John Robb, author of books including ‘The North Will Rise Again: Manchester Music City 1976-1996’ (2009), ‘The Stone Roses And The Resurrection Of British Pop’ (1996) and ‘Punk Rock: An Oral History’ (2006), did a short interview with me about the club’s legacy:
Sometimes you don’t know whether to laugh or cry!