Here’s a short overview I wrote for DJ Mag’s Disco edition last year, outlining some of the musical threads that resulted in the evolving Disco movement’s expansion from the underground into the eye of mainstream attention as the ‘70s unfurled.
Tag Archives | The Trammps
The fifth edition of my ‘Discotheque Archives’ series for DJ Mag is now online, featuring more landmarks in pre-Rave club culture:
Today marks the 40th anniversary of my first club appearance. Last night I played for 5 hours at The Garage and tonight I’m at The Jacaranda to conclude a celebratory weekend in my home city of Liverpool with a talk about what it was like to be a DJ back in those proto-Disco days.
Complete with snap, crackle, pop, and even the odd skip and jump, these are 7 seminal mix albums pressed onto vinyl during 1977-79, the latter Disco period. 3 of these were officially released, the other 4 being DJ promo only copies. All 7 have now been uploaded to Mixcloud and are available to stream. This is presented in conjunction with last month’s blog post ‘From Garrard To Technics – How British DJs Began To Mix’ – you can get the full lowdown here:
In 2009 I wrote an article on the history of mixing in this country called ‘How The Talking Stopped’. It was the most in depth piece I’d ever written, the research alone had taken many months, including a couple of trips to the British Library in London to comb through the copies of Record Mirror they have archived there, for it was within this magazine that the person who I’d certainly argue did more to promote UK DJ culture than any other human being, connected (via his essential weekly dance column) with fellow DJs in every corner of the country. This was the literally larger than life James Hamilton (1942-1996), and if you’re a British DJ, whether you’ve heard of him or not, you can’t have escaped his influence, for he’s part of the very fabric of our DJ / club heritage.