I’d written most of this post at the end of last month on the flight from Lisbon to Salvador in Brazil, where I played New Years Eve at the idyllic setting of Biopeba Island in Bahia for the Mareh Music Festival. The intention was to post once I got back to the UK on January 3rd, but fate took a turn.
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During recent times I’ve been intrigued to hear about the growing schism on the House scene here in the UK, brought about by the introduction, primarily by young black dancers, of ‘foot shuffling’ (aka ‘cutting shapes’), an increasingly popular style of dancing that has been met with much hostility in certain quarters, and, somewhat bizarrely, resulted in shufflers being banned from some clubs for dancing in this way. The accusation is that not only do they take up too much dancefloor space, but there’s a general ‘moodiness’ with regards to their attitude. Although it no longer seems to be online, there was even an ‘Anti Foot Shuffling Campaign’ page on Facebook, with some of the posts suggesting underlying issues of racism. As one person commented, “It’s not that all these people on here hate shufflers, they just don’t like fact that black people are into House music now.” Although this comment may be well intentioned, it’s also somewhat misguided given there are, and always have been, plenty of black people in the UK who are big into House – it’s just that their presence is usually to be found away from the mainstream, in more specialist avenues like the Deep and Soulful House scenes. Furthermore, some of the older black crowd are also resistant to this new wave of shuffling, so to present it as a purely black / white issue would be wrong.
Just over 12 months ago, on October 29th 2011, the TV and radio personality Sir Jimmy Savile died 2 days before his 85th birthday (he was born on Halloween 1926). He was regarded as one of the great British eccentrics, but there were always rumours about deviant behaviour, although nothing proven. Apart from his contribution to broadcasting, Savile was also said to be the first DJ, not only in Britain, but the World, to use twin-turntables, back in the 1940s, making him an unlikely icon to DJs of the modern era. Here’s the blog post I wrote at the time of his death: