Checked my stats on SoundCloud the other day – I hadn’t looked for a while, so it was an extremely pleasant surprise to find that my account has now generated more than a million plays. It’s quite astonishing how popular SoundCloud has become in such a relatively short period of time, I could never have envisaged such a remarkable response when I uploaded the first of many mixes (currently 66 on there) in 2009 – having just checked the date I’ve only just realised that this mix, from Café Mambo in Ibiza, was recorded exactly 3 years ago today – mad coincidence!
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Last month I was over in Chicago chilling out in my hotel room ahead of my first gig in the city, at Smart Bar, a venue with a rich tradition, which opened back in 1982. Chicago is, of course, along with Detroit, Philadelphia and New York, revered as a key US city when it comes to the evolution of dance culture (and, indeed, black culture, with, way before House, a deep heritage in Rhythm & Blues, Blues and Jazz, dating right back to the ‘great migration’ of black workers from the southern states, beginning just over 100 years ago).
Just wanted to give you a heads-up on the new Electronic Magazine, the first issue of which was recently published. The brainchild of Push, who edited Muzik between 1995 and 1998 (having previously been a writer for Melody Maker), Electronic could be described as a Mojo for the electronic generation.
One of the world’s most celebrated clubs, The Haçienda in Manchester, opened 30 years ago today, on Friday May 21st 1982. In June 2007, a little after the 25th anniversary, the inimitable Manchester-based writer / musician, John Robb, author of books including ‘The North Will Rise Again: Manchester Music City 1976-1996’ (2009), ‘The Stone Roses And The Resurrection Of British Pop’ (1996) and ‘Punk Rock: An Oral History’ (2006), did a short interview with me about the club’s legacy:
I started writing this before I headed off on my travels to Hong Kong, Australia, New Zealand and back to Australia again (concluded on my return home, having made notes along the way). I’ve been very preoccupied with time, or, to be more precise, the lack of it – this is where my head was at:
Yes, this is the year
To make your decision
(We gotta get it together)
Yes this is the year
To open up your mind.
Gamble & Huff 1973
Earlier this month Leftside Wobble shared an edit of Man Friday’s ‘Love Honey, Love Heartache’ on his SoundCloud. I left a comment highlighting the history of this track, which read as follows:
As you’re no doubt aware, Manchester holds special significance for me, dating back to my fruitful association with Legend in the early ’80s. I talked about the return to my ‘spiritual home’ to reactivate my DJ career in the recent Music Is Better Re-Edited Highlights post: https://blog.gregwilson.co.uk/2011/09/music-is-better-re-edited-highlights
Just dug out a copy of the Music Is Better CD, a limited edition of 500 that followed my DJ comeback on December 20th 2003 at the Music Is Better night in The Attic, Manchester. It’s now been made available via SoundCloud.
Made my Glastonbury debut last Friday – a double-header kicking off with an evening appearance on the Wow! stage, before heading across to NYC Downlow for a late slot. Mixes from both have just been added to my SoundCloud page and are now available to download. The first is the full two hour recording from the Wow!, the second is the majority of my appearance at the NYC Downlow (missed the opening 15 minutes because I was trying to sort out a problem with my reel-to-reel).