One of the sassiest sights of the early ’70s has to be the sheer dynamism of the force of nature that is Tina Turner, with backing singers / dancers, The Ikettes, as they raunchily strutted their stuff on stage to what was the signature song back then for the Ike & Tina Turner Revue – their showstopping rendition of ‘Proud Mary’. I came across this wonderful performance footage of the song on YouTube the other day – not sure where it’s from (looks European), or what year, but it’s a stunning example of one of the greatest live acts of the era kickin’ it up, as outlined in the spoken intro of the song, ‘nice and rough’. Forget all the talent show impersonations – this is the raw-assed real deal:
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Looking deeper into Folk and Country music has been a case of overcoming the final prejudice in many respects. These were always genres I shied away from, even though I’ve happily cherry picked tracks that I’ve liked along the way. I suppose I dismissed Folk as antiquated, and Country as over-sentimental, and although I’ve had a basic understanding of their roles in shaping popular music, I’ve never had the inclination to look beneath the surface. Until more recently that is.