Otis Redding is my favourite singer of all. I became addicted to his records in the late ‘60s – my brother and sister had already brought a number of these into the house including ‘Mr Pitiful’, ‘I’ve Been Loving You Too Long’, ‘I Can’t Turn You Loose’, ‘(I Can’t Get No) Satisfaction’, ‘Fa-Fa-Fa-Fa-Fa (Sad Song)’, ‘Day Tripper’, ‘Shake’, ‘Tramp’ (with Carla Thomas), ‘Respect’, ‘Try A Little Tenderness’, ‘Hard To Handle’, ‘Amen’ and, of course, ‘(Sittin’ On) The Dock Of The Bay’.
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I wanted to do something to mark the 50th anniversary of 1967 – a truly magical, myth-laden, musical year when so much changed, separating old from new and leading to a seismic cultural shift, especially via the recording industry – artists becoming increasingly ambitious, with pop music no longer regarded as throwaway fodder for the kids, but the great artistic statement of the age.
One of the greatest bass guitarists in the history of black music, Memphis born Donald ‘Duck’ Dunn, died in his sleep yesterday, following a gig the previous night with Steve Cropper and Eddie Floyd at Tokyo’s Blue Note nightclub.