John Grant, one of the UK’s leading black music DJs of the late-‘70s / early-’80s died last month – he was 71. Apart from his family and close friends, his passing went largely unnoticed – his legacy somewhat forgotten. This is because he retired from DJing in 1981, right at what was seemingly the peak of his powers, completely disappearing from sight as he moved to the South coast, as the legend at the time was told, to become a lighthouse keeper, or, in another version, a harbour master (the truth seems to be that he moved to Peacehaven to work for a Hovercraft company).
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Having just marked the 10th anniversary of my DJ return, I’ve now reached the 30th anniversary of when I cut out first time around at the end of ’83 – my last Wigan Pier appearance on Tuesday 28th December, before rounding things off at Legend the next night. During the same week my final mix for Mike Shaft’s show on Piccadilly Radio was broadcast. Following on from the previous year’s ‘The Best Of 82’, which had caused such a stir, ‘The Best Of 83’ did what it said on the tin, bringing together the biggest tunes I was playing that year. My successor, Chad Jackson (a future DMC World Mixing Champion) would continue the ‘Best Of’ tradition on Piccadilly, with the baton later handed on to Stu Allan – these end of year mixes continuing until 1992.
By Greg Wilson on November 29, 2013 in DJ / Club Culture, Merseyside, The Eighties, The Nineties, The Seventies
40 years ago, you could go into a club and have no idea where the DJ was, let alone who they were. Often set out of the way in some dark corner, the DJ booth was generally crude and cramped, whilst the sound system reflected this lack of attention to what most people nowadays agree is the most important aspect of all when it comes to a club space – how the music sounds, and the way in which it’s presented.
By Greg Wilson on April 12, 2013 in Black Culture, Disco, DJ / Club Culture, DJ Appearances, The Eighties, The Seventies
A week on Saturday I play a pretty special London gig at Loft Studios alongside NYC edit maestro Danny Krivit, the guy who set the standard back in the ’80s with his classic re-imagining of MFSB’s ‘Love Is The Message’, one of the quintessential New York Disco anthems. Full lowdown on the gig here, at Resident Advisor: //www.residentadvisor.net/event.aspx?440816
By Greg Wilson on November 27, 2012 in Black Culture, CD’s / Digital, Hear, Living To Music, Records, The Eighties, The Seventies, Video
ARTIST: RUFUS FEATURING CHAKA KHAN
This Sunday (December 2nd) at 9pm, you’re invited to share a listening session with some likeminded souls, wherever you might be. This can be experienced either alone or communally, and you don’t need to leave the comfort of your own home to participate. If it’s not possible to make the allotted time, hopefully you can join in at your convenience at some point during the following weeks. See update here:
By Greg Wilson on May 21, 2012 in Articles, Black Culture, Books, DJ / Club Culture, DJ Appearances, Manchester, Photography, Read, Records, Remixes / Edits, The Eighties, The Nineties
One of the world’s most celebrated clubs, The Haçienda in Manchester, opened 30 years ago today, on Friday May 21st 1982. In June 2007, a little after the 25th anniversary, the inimitable Manchester-based writer / musician, John Robb, author of books including ‘The North Will Rise Again: Manchester Music City 1976-1996’ (2009), ‘The Stone Roses And The Resurrection Of British Pop’ (1996) and ‘Punk Rock: An Oral History’ (2006), did a short interview with me about the club’s legacy: