One of Rock’s iconic figures, former Velvet Underground frontman Lou Reed, died yesterday, aged 71. His death was reportedly due to a ‘liver related ailment’ (Reed had undergone a liver transplant earlier this year).
Tag Archives | Rock
Just back from a flying visit Stateside, playing consecutive days in 3 of dance music’s seminal cities – Detroit, Philadelphia and New York. The Detroit and New York parties were both really special, but not all ran smoothly, for sandwiched in between the Philly gods conspired against us.
By Greg Wilson on May 1, 2013 in Black Culture, Disco, DJ / Club Culture, Remixes / Edits, The Eighties, The Seventies
Daft Punk are sitting pretty at the top of the UK singles chart for the first time. The track in question, ‘Get Lucky’, taken from their forthcoming album, ‘Random Access Memories’, came as something of a surprise, for instead of hitching itself to the current EDM juggernaut that’s sweeping America, the French duo have completely bucked the trend by drawing their influence from Disco, featuring its most celebrated guitarist, the great Nile Rodgers of the Chic Organisation (as well as R&B vocalist, Pharrell Williams). A media sensation, it’s everywhere at the moment – on the radio, on the TV, in the clubs and, of course, all over the internet, becoming the most streamed new release in Spotify history. It’s already been re-edited by a whole host of DJs and is pretty much nailed on to be the single of the summer.
By Greg Wilson on April 12, 2013 in Black Culture, Disco, DJ / Club Culture, DJ Appearances, The Eighties, The Seventies
A week on Saturday I play a pretty special London gig at Loft Studios alongside NYC edit maestro Danny Krivit, the guy who set the standard back in the ’80s with his classic re-imagining of MFSB’s ‘Love Is The Message’, one of the quintessential New York Disco anthems. Full lowdown on the gig here, at Resident Advisor: //www.residentadvisor.net/event.aspx?440816
The great sitar maestro, Ravi Shankar, died in San Diego yesterday aged 92, having failed to recover from heart-valve replacement surgery.
By Greg Wilson on November 24, 2012 in DJ / Club Culture, DJ Appearances, Hear, Merseyside, Mixes, The Nineties
It’s my 200th blog post, so, in contrast to my 100th post, which was about the club where, as I’ve previously stated, ‘I experienced my greatest DJ highs’, Legend in Manchester, this time I wanted to to share something that symbolises a time when the garden wasn’t so rosy, and I was struggling with life, both externally and internally. ‘The Monastic Mix’, from 1996, was a much needed catharsis for me, both an ending and a fresh starting point – it was the last mix I ever tape edited, putting it together on my original Revox B77 reel-to-reel, which I’d bought 14 years earlier, back in 1982, in order to record / edit my Piccadilly Radio mixes in my home DJ studio.
By Greg Wilson on October 19, 2012 in DJ / Club Culture, DJ Appearances, The Eighties, The Nineties, Video
DJ Harvey (aka Harvey Bassett) makes his long awaited UK return tonight at Oval Space in London (followed by a Manchester date, at The Warehouse Project, next Thursday). It’s his first UK appearance since 2002 when he re-located to the USA, and where visa problems conspired to restrict his movements, meaning that it was almost a decade before he was able to leave the country.
On October 5th 1962 the first single by The Beatles, ‘Love Me Do’ c/w ‘P.S. I Love You’, was released in the UK on the Parlophone label. Principally written by Paul McCartney a few years earlier, when he was 16 (John Lennon added the middle-eight), and based around 3 chords, it was the first of a run of 3 singles that featured John Lennon on harmonica – the others being ‘Please Please Me’ and ‘From Me To You’, both released the following year (the instrument, a signature of the early Beatles sound, was retired by Lennon 1965). The harmonica used had been pinched from a music shop 2 years previously in Arnhem, Holland, whilst The Beatles were on their way to their first stint in Hamburg, Germany (Aug – Dec ’60). A photograph was also taken of them that day by Barry Chang, the brother-in-law of then manager Allan Williams, as they passed through Arnhem, which would later prove to be somewhat prophetic – the then unknown band, minus Lennon, with their pre-Ringo drummer Pete Best and original bassist Stuart Sutcliffe, Williams and his wife Beryl, along with Williams’ one-time partner Lord Woodbine (aka Harold Phillips), who drove the minibus they were travelling in over from Liverpool. The snapshot was taken in front of the War Memorial, on which the legend ‘Their Name Liveth For Evermore’ was carved. Lennon had stayed in the van, opting out of the photo opportunity, whilst apparently declaring himself, in another portent of the future, a pacifist.
By Greg Wilson on June 1, 2012 in Articles, Black Culture, DJ Appearances, Documentaries, Photography, The Seventies, The Sixties
I feel fully in the throes of festival season following last weekend’s Movement Detroit – it was a great way to make my debut in the city, with a Saturday main stage appearance in an impressive amphitheatre location.
I started writing this before I headed off on my travels to Hong Kong, Australia, New Zealand and back to Australia again (concluded on my return home, having made notes along the way). I’ve been very preoccupied with time, or, to be more precise, the lack of it – this is where my head was at: