I was over in Amsterdam last weekend for ADE, one of 300,000 visitors to the city from countries all over the world for its 18th, and most successful, dance music festival / conference to date. During recent years the Amsterdam Dance Event has superseded the Winter Music Conference in Miami as the main annual gathering point for the dance music industry to schmooze and network – it’s a destination where the dreams and schemes of a multitude of DJs / producers are prevalent, as they arrive in the hope that they’ll meet up with someone who can give them their big break, or at least help them along their career path.
Tag Archives | Random Access Memories
The most talked about album in many years, Daft Punk’s ‘Random Access Memories’, is released in the UK today, and, as discussed in my post from the beginning of the month, ‘Disco Now Disco Then’ (https://blog.gregwilson.co.uk/2013/05/disco-now-disco-then-2), it’s all set to blitz the charts worldwide.
Daft Punk are sitting pretty at the top of the UK singles chart for the first time. The track in question, ‘Get Lucky’, taken from their forthcoming album, ‘Random Access Memories’, came as something of a surprise, for instead of hitching itself to the current EDM juggernaut that’s sweeping America, the French duo have completely bucked the trend by drawing their influence from Disco, featuring its most celebrated guitarist, the great Nile Rodgers of the Chic Organisation (as well as R&B vocalist, Pharrell Williams). A media sensation, it’s everywhere at the moment – on the radio, on the TV, in the clubs and, of course, all over the internet, becoming the most streamed new release in Spotify history. It’s already been re-edited by a whole host of DJs and is pretty much nailed on to be the single of the summer.
Every week I get sent lots of digital promos by various companies / individuals – it’s a task and a half keeping up with them all, and became so time-consuming that I now forward the majority of them to someone who listens through on my behalf to check whether they’re applicable to what I play, for you’d be surprised at the amount of stuff I receive that if whoever sent it to me actually took the time listen to my mixes, they would surely realise that this is a track / mix that’s completely unsuitable for me.