Just finished a captivating and, to my mind, long overdue book, which covers the history of black music in the capital spanning (almost) 100 years, the recently published ‘Sounds Like London’. By bringing all the threads together, its author, Lloyd Bradley has made a telling contribution to our understanding of how British black music evolved, following the lineage of its direct influences in the Caribbean and Africa, in juxtaposition with the impact of African-American innovation throughout the 20th century.
Tag Archives | Pulp
The photo above shows a man walking down the street past a wall that’s been sprayed with some graffiti – it says ‘Powell For P.M’. I’d imagine that most people under a certain age would completely miss the relevance of this image, having no idea who this Powell was. Maybe they might pick up on the clue that it has some reference to race, as the man in the picture is black, but without understanding the context its message has been lost with the passage of time. Anyone looking at it in the years following the milestone date of April 20th 1968 would be left in no doubt of its potency, but whilst children in British schools are now taught about Martin Luther King, Rosa Parks and key aspects of the US Civil Rights movement during the ’50s and ’60s, the story of what happened in this country, following the mass immigration of the post-war period, remains a largely hidden history. Without the knowledge of what went on back then, it’s impossible to properly understand what’s going on now, for Enoch Powell MP, and what he had to say in Birmingham that fateful April day almost 44 years ago (which, at the time, a Gallup poll told us was supported by almost three quarters of the UK population), set the agenda for the race debate in this country – a heated debate which has very much reignited in the past few months.