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Tag Archives | Peza

20 Choice Edits & Reworks 2019

Revox

Now in its 8th year, 20 Choice Edits & Reworks is a personal selection, based on new interpretations of tracks I’ve been playing during the previous 12 months. These don’t include official remixes of older tracks (for example, Joey Negro’s excellent update of ‘Can’t Live Without Your Love’ by Tamiko Jones this year), reflecting the more underground nature of the edits scene, where DJs share their work either digitally or via limited vinyl pressings. The full selection is available to stream via SoundCloud: Continue Reading →

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A&R Edits Reactivated

A&R Edits #10

The limited-edition A&R Edits label returns to vinyl after a 4 year gap, the last and 9th release in the series appearing back in 2015 – previous edits courtesy of Henry Greenwood, Derek Kaye, Sophie Lloyd, F.A.M.E, Fingerman, Peza and Twisted Soul Collective. The new release, a collaboration between Henry and myself, couples ‘Disco Mondo’ with ‘In The City’, and is available to purchase here via Juno:
https://www.juno.co.uk/products/gw-henry-disco-mondo/739367-01/

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Substance Select

Substance Select

After having to put the Super Weird Substance label on the backburner for a while (although we were still very much active with last year’s ’14 Hour Super Weird Happening’ and the ‘Alan Moore’s Mandrill Meets Super Weird Substance At The Arts Lab Apocalypse in Liverpool’, we are now in the process of recalibration – the first step being this limited-run 12”, featuring 2 tracks previously released on the label that sold out of existing vinyl supplies, with a demand building since, plus 2 more never previously available on vinyl. The record can be ordered here:
https://superweirdsubstance.bandcamp.com/merch/substance-select-vol-1-vinyl-only Continue Reading →

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Credit To The Edit @ Sound City

Credit To The Edit

My latest Credit To The Edit compilation, volume 3 in the series, is issued next month – I’ll do a full post about the album and its contents once available, but, in the meantime, wanted to draw attention to the first in a number of Credit To The Edit parties I’ll be hosting, both in the UK and overseas, throughout 2018.

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