I’d originally intended to post this on my blog at the same time as I uploaded the mix from Adelaide (outlined below), but having made a start, I found it difficult to fully apply myself, continually catching myself procrastinating, so I put the mix up on its own a few weeks ago, and gave myself until the end of the month to finish this. It’s not just the writing, as I’ve since discovered has also been the case with numerous others at this time I’ve found it difficult to apply myself to anything connected with my work – my only blog posts in tribute to recently departed black music icons Manu Dibango, Bill Withers and Hamilton Bohannon. Continue Reading →
Tag Archives | Late Nite Tuff Guy
Now in its 8th year, 20 Choice Edits & Reworks is a personal selection, based on new interpretations of tracks I’ve been playing during the previous 12 months. These don’t include official remixes of older tracks (for example, Joey Negro’s excellent update of ‘Can’t Live Without Your Love’ by Tamiko Jones this year), reflecting the more underground nature of the edits scene, where DJs share their work either digitally or via limited vinyl pressings. The full selection is available to stream via SoundCloud: Continue Reading →
Having been published as a yearly feature via the Secret Life website since 2012, this year we take 20 Choice Edits & Reworks in-house with all inclusions now available to stream via SoundCloud in a playlist with a running time of over 2 hours:
Continue Reading →
Australia bound – my first of 5 dates coming up in Melbourne this Friday, with the Return To Rio Festival near Sydney the next day, before a trio of special Credit To The Edit parties in Brisbane (11th), Sydney (17th) and Perth (18th). Further info here:
Great to be finally able to announce the full list of dates for my Australian tour in November:
Last year, Isaac Ferry, who runs Gouranga, which has hosted some of my live mixes on SoundCloud, asked if I’d be up for doing something more bespoke, suggesting I focus in on Chic, given both their history and more recent renaissance as one of the must-see live feelgood experiences of the festival calendar.
I received a copy of the new Late Nite Tuff Guy remix 12” through the post recently. Issued by Salsoul, the classic New York label that unleashed numerous dancefloor gems between 1974-84, including the very first commercially available 12”, ‘Ten Percent’ by Double Exposure (1976). LNTG’s 12” included another Double Exposure favourite, ‘Everyman’, plus ‘Dr Love’ by First Choice, both of which have been huge for me, having received digital copies in the last couple of years – ‘Everyman’ topping my ’20 Choice Edits & Reworks’ selection for 2017, whilst ‘Dr Love’ featured on the 2016 list:
It’s that time of year again when I list 20 edits / reworks that have done the business for me during the past 12 months in the clubs and at festivals I’ve played at.
Back in 1966, The Beatles’ record producer, George Martin, executed my favourite singular edit of all time. John Lennon had been working on the now iconic ‘Strawberry Fields Forever’ – he’d recorded 2 versions, and was faced with the dilemma of wanting to use the first section of one recording, but take the rest of the track from a completely different and more progressive version. His comment to George Martin, when the producer pointed out the difficulties of matching pitch and tempo, was ‘you can fix it’. The fixed version is the definitive one that we all know, two recordings perfectly merged together by one decisive splice. You can hear it, if you listen carefully, at just before the minute mark, on ‘going to’:
Here’s this year’s selection of ’20 Choice Edits & Reworks’. It’s the 5th annual list I’ve compiled.