During recent times I’ve been intrigued to hear about the growing schism on the House scene here in the UK, brought about by the introduction, primarily by young black dancers, of ‘foot shuffling’ (aka ‘cutting shapes’), an increasingly popular style of dancing that has been met with much hostility in certain quarters, and, somewhat bizarrely, resulted in shufflers being banned from some clubs for dancing in this way. The accusation is that not only do they take up too much dancefloor space, but there’s a general ‘moodiness’ with regards to their attitude. Although it no longer seems to be online, there was even an ‘Anti Foot Shuffling Campaign’ page on Facebook, with some of the posts suggesting underlying issues of racism. As one person commented, “It’s not that all these people on here hate shufflers, they just don’t like fact that black people are into House music now.” Although this comment may be well intentioned, it’s also somewhat misguided given there are, and always have been, plenty of black people in the UK who are big into House – it’s just that their presence is usually to be found away from the mainstream, in more specialist avenues like the Deep and Soulful House scenes. Furthermore, some of the older black crowd are also resistant to this new wave of shuffling, so to present it as a purely black / white issue would be wrong.
Tag Archives | Jazz Fusion
Not the iconic one up on the balcony, but the initial side of stage location.
You don’t know how happy I am to be able to tell you that, after months and months of chipping away, the new redesigned revitalized Electrofunkroots website is now live and kicking, having undergone a complete overhaul, with loads of new content added. Full menu here:
Gil Scott-Heron died last Friday (May 27th 2011), aged 62. He was one of those artists who built his reputation on the fringes – hugely influential, yet almost completely unknown within a mainstream context. Initially a writer and poet, Scott-Heron hooked-up with musician Brian Jackson at university in Pennsylvania during the ’60s, the duo combining to great effect throughout the ’70s on a number of albums. His vocal style would be an inspiration to the oncoming Hip Hop generation, to whom his socially conscious lyrics, and their defiant delivery, helped lay the foundations for the Rap genre that would subsequently flourish during the ’80s and beyond, not least his keynote recording, ‘The Revolution Will Not Be Televised’, taken from his 1970 debut ‘Small Talk At 125th And Lenox’.