When I was over in Australia last November I was interviewed by Gilles Peterson for his series ‘The Psychology Of DJing’ as part of the Sydney Electronic Music Conference. It was an interview that covered many aspects of my career, much of which I’ve spoken about on numerous occasions previously. However, there was a different context to this – most of the time the interviewer is much younger than me, so they didn’t personally experience the times I’m talking about and the way things worked back then in the specialist areas of black music, whereas Gilles comes from the same roots as me, part of the next wave of DJs that followed-on from the Jazz-Funk era, when I first emerged on the specialist scene.
Tag Archives | Jazz-Funk
This weekend Colin Curtis celebrates his 50th anniversary as a DJ with a special event at The Exchange in his home city of Stoke-On-Trent. Colin started out in his mid-teens at Newcastle-Under-Lyme’s Crystal Ballroom, before making his all-nighter debut at Stoke’s hallowed Golden Torch, one of Northern Soul’s foundation venues, eventually becoming one of the scene’s leading figures as a result of his legendary ‘70’s partnership with Ian Levine at the Blackpool Mecca. Info about the anniversary date here:
The second edition of my ‘Discotheque Archives’ series for DJ Mag is now online, featuring more landmarks in pre-Rave club culture:
Memphis born Earth Wind & Fire founder Maurice White died in Los Angeles on Wednesday – he was 74 and had been diagnosed with Parkinson’s disease since the late 1980s. White was the bands co-lead singer (with Philip Bailey), their main songwriter and their producer.
Been meaning to get this amended article onto the blog. It’s something I originally wrote back in 2003 for Grandslam magazine as a feature revolving around the release of 2 No Wave compilations at the time, one on the re-activated ZE label, the other on Soul Jazz. The piece was originally published under the title ‘When Punk Met Funk’.
Texan born keyboardist Joe Sample, best known as a member of the pioneering Jazz-Funk ensemble The Crusaders, died last Friday aged 75.
As outlined in the previous blog posts, the end of 2013 was all about 2 significant anniversaries for me – the 10th anniversary of my DJ return, swiftly followed by the 30th anniversary of my first time around ‘retirement’. Given that I stopped at the end of ’83, this brought my ‘Early ’80s Floorfillers’ series to a conclusion after 24 monthly episodes that spanned January ‘82 to December ’83, each edition appearing 30 years on from when I originally played these records.
Having just marked the 10th anniversary of my DJ return, I’ve now reached the 30th anniversary of when I cut out first time around at the end of ’83 – my last Wigan Pier appearance on Tuesday 28th December, before rounding things off at Legend the next night. During the same week my final mix for Mike Shaft’s show on Piccadilly Radio was broadcast. Following on from the previous year’s ‘The Best Of 82’, which had caused such a stir, ‘The Best Of 83’ did what it said on the tin, bringing together the biggest tunes I was playing that year. My successor, Chad Jackson (a future DMC World Mixing Champion) would continue the ‘Best Of’ tradition on Piccadilly, with the baton later handed on to Stu Allan – these end of year mixes continuing until 1992.
40 years ago, you could go into a club and have no idea where the DJ was, let alone who they were. Often set out of the way in some dark corner, the DJ booth was generally crude and cramped, whilst the sound system reflected this lack of attention to what most people nowadays agree is the most important aspect of all when it comes to a club space – how the music sounds, and the way in which it’s presented.
The Northern Soul movement has marked 2 significant anniversaries this year – the launch of the weekly All-Nighters at the scene’s most famous venue, Wigan Casino, in 1973, as well as the opening of its foundation club, Manchester’s Twisted Wheel, 10 years earlier. A new book, ‘Northern Soul – An Illustrated History’ was recently published by Virgin Books, its co-author, Bury-born Elaine Constantine, also the director of the upcoming film ‘Northern Soul’. The book has been well received by Northern aficionados, Constantine (and Gareth Sweeney) congratulated for their insightful overview of the movement, which is enhanced by the anecdotal offerings of some of the DJs, dancers and collectors who epitomized Northern Soul. Alongside the music and the clubs in which it featured, the book also highlights the drug culture that played such a major role, amphetamines fuelling its development.