I first met Dan McLewin and Tom Coveney from Psychemagik when we were on the same line-up at Fabric in London at the start of 2011. They’d just pressed up their now classic edit of ‘Everywhere’ by Fleetwood Mac, and they’d subsequently credit Tom Middleton and myself with helping the record blow up big style on the following summer’s UK festival circuit, as well as over in Croatia at the Garden Festival, where it quickly gained anthemic status.
Tag Archives | Garden Festival
Festival season 2015 kicks off for me this Saturday in Lincolnshire at the fledgling Lost Village Festival. I’ve also had the final dates I’ve been waiting on, so can now announce the following festival appearances during the summer months:
Amidst everything that’s been going on during recent months I completely failed to notice the passing of a personal SoundCloud milestone, the uploaded content on my page having now surpassed 3 million plays in the 5 years since I opened my account.
The sun is shining and festival season 2013 is almost upon us. I’ve just finalised my schedule for the coming months, so hope to see you at one, or more, of the following:
As I mentioned in my last post, Detroit Hustles Harder, festival season is very much upon us. Next month’s Vintage is my first full-on UK festival of the summer (a weekend event, rather than a one day gathering, as with Love Saves The Day in Bristol earlier this month – a big success despite the lousy weather), which has found a new home within the scenic grounds of Northamptonshire’s Boughton House. Looking forward to seeing Chic there, with the great Nile Rodgers – I’d intended to check them out at Playground in Australia last March, but the festival, as I’ve mentioned here previously, was cancelled due to flooding (when it rains over there it really rains). Aloe Blacc is also on the bill – his progress has been of particular interest to me as he was one of the participants at the Red Bull Music Academy in Melbourne (2006), who was in the audience when I gave my lecture there. I met him the following afternoon when we were sat at the same table having lunch, and he really made a big impression on me – you could sense that this was someone who was destined to go places, someone who was down to earth, but with a strong sense of himself. I remember doing an interview when I came back to the UK, where I tipped him as ‘one to watch’, so it’s good to see that my instincts were correct. It wasn’t his music, which I hadn’t heard at the time, that had marked him out for me, but his unique DJ approach. The previous night I’d headed along to Revolver, the club where I was making my Australia debut that weekend, and was struck by a DJ who was, in an impressively understated manner, rapping and even singing along with the tracks he was playing – this turned out to be Aloe.