Well, that was the London Olympics that was – what was initially greeted with mass cynicism ended up captivating the nation, engendering a new sense of identity that would have been unthinkable just two and a half weeks ago.
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As I mentioned in my last post, Detroit Hustles Harder, festival season is very much upon us. Next month’s Vintage is my first full-on UK festival of the summer (a weekend event, rather than a one day gathering, as with Love Saves The Day in Bristol earlier this month – a big success despite the lousy weather), which has found a new home within the scenic grounds of Northamptonshire’s Boughton House. Looking forward to seeing Chic there, with the great Nile Rodgers – I’d intended to check them out at Playground in Australia last March, but the festival, as I’ve mentioned here previously, was cancelled due to flooding (when it rains over there it really rains). Aloe Blacc is also on the bill – his progress has been of particular interest to me as he was one of the participants at the Red Bull Music Academy in Melbourne (2006), who was in the audience when I gave my lecture there. I met him the following afternoon when we were sat at the same table having lunch, and he really made a big impression on me – you could sense that this was someone who was destined to go places, someone who was down to earth, but with a strong sense of himself. I remember doing an interview when I came back to the UK, where I tipped him as ‘one to watch’, so it’s good to see that my instincts were correct. It wasn’t his music, which I hadn’t heard at the time, that had marked him out for me, but his unique DJ approach. The previous night I’d headed along to Revolver, the club where I was making my Australia debut that weekend, and was struck by a DJ who was, in an impressively understated manner, rapping and even singing along with the tracks he was playing – this turned out to be Aloe.