40 years ago, you could go into a club and have no idea where the DJ was, let alone who they were. Often set out of the way in some dark corner, the DJ booth was generally crude and cramped, whilst the sound system reflected this lack of attention to what most people nowadays agree is the most important aspect of all when it comes to a club space – how the music sounds, and the way in which it’s presented.
Tag Archives | Disco
The Northern Soul movement has marked 2 significant anniversaries this year – the launch of the weekly All-Nighters at the scene’s most famous venue, Wigan Casino, in 1973, as well as the opening of its foundation club, Manchester’s Twisted Wheel, 10 years earlier. A new book, ‘Northern Soul – An Illustrated History’ was recently published by Virgin Books, its co-author, Bury-born Elaine Constantine, also the director of the upcoming film ‘Northern Soul’. The book has been well received by Northern aficionados, Constantine (and Gareth Sweeney) congratulated for their insightful overview of the movement, which is enhanced by the anecdotal offerings of some of the DJs, dancers and collectors who epitomized Northern Soul. Alongside the music and the clubs in which it featured, the book also highlights the drug culture that played such a major role, amphetamines fuelling its development.
I was over in Amsterdam last weekend for ADE, one of 300,000 visitors to the city from countries all over the world for its 18th, and most successful, dance music festival / conference to date. During recent years the Amsterdam Dance Event has superseded the Winter Music Conference in Miami as the main annual gathering point for the dance music industry to schmooze and network – it’s a destination where the dreams and schemes of a multitude of DJs / producers are prevalent, as they arrive in the hope that they’ll meet up with someone who can give them their big break, or at least help them along their career path.
Just finished a captivating and, to my mind, long overdue book, which covers the history of black music in the capital spanning (almost) 100 years, the recently published ‘Sounds Like London’. By bringing all the threads together, its author, Lloyd Bradley has made a telling contribution to our understanding of how British black music evolved, following the lineage of its direct influences in the Caribbean and Africa, in juxtaposition with the impact of African-American innovation throughout the 20th century.
Complete with snap, crackle, pop, and even the odd skip and jump, these are 7 seminal mix albums pressed onto vinyl during 1977-79, the latter Disco period. 3 of these were officially released, the other 4 being DJ promo only copies. All 7 have now been uploaded to Mixcloud and are available to stream. This is presented in conjunction with last month’s blog post ‘From Garrard To Technics – How British DJs Began To Mix’ – you can get the full lowdown here:
In 2009 I wrote an article on the history of mixing in this country called ‘How The Talking Stopped’. It was the most in depth piece I’d ever written, the research alone had taken many months, including a couple of trips to the British Library in London to comb through the copies of Record Mirror they have archived there, for it was within this magazine that the person who I’d certainly argue did more to promote UK DJ culture than any other human being, connected (via his essential weekly dance column) with fellow DJs in every corner of the country. This was the literally larger than life James Hamilton (1942-1996), and if you’re a British DJ, whether you’ve heard of him or not, you can’t have escaped his influence, for he’s part of the very fabric of our DJ / club heritage.
Just back from a flying visit Stateside, playing consecutive days in 3 of dance music’s seminal cities – Detroit, Philadelphia and New York. The Detroit and New York parties were both really special, but not all ran smoothly, for sandwiched in between the Philly gods conspired against us.
David Mancuso’s London Loft party, ‘Journey Through The Light’, celebrates its 10th anniversary on June 23rd. Held Upstairs @ The Light in Shoreditch, it’s a party like no other, underpinned by a high-end audiophile sound system that has to be heard to be believed. Although its originator, now approaching his 70s, hasn’t been able to make it in person during recent times, the party continues in his absence, Colleen ‘Cosmo’ Murphy his chosen stand in (he hopes to return for future dates though).
Given the current fascination with Disco, and a fresh wave of interest in its history, I thought it would be good time to flag up what many would regard as the must read book on the subject, outlining the development of the movement in downtown New York during the ’70s. Here’s my review for Grandslam magazine back in 2003, when Tim Lawrence’s epic ‘Love Saves The Day – A History Of American Dance Music Culture, 1970-1979’ was first published:
Daft Punk are sitting pretty at the top of the UK singles chart for the first time. The track in question, ‘Get Lucky’, taken from their forthcoming album, ‘Random Access Memories’, came as something of a surprise, for instead of hitching itself to the current EDM juggernaut that’s sweeping America, the French duo have completely bucked the trend by drawing their influence from Disco, featuring its most celebrated guitarist, the great Nile Rodgers of the Chic Organisation (as well as R&B vocalist, Pharrell Williams). A media sensation, it’s everywhere at the moment – on the radio, on the TV, in the clubs and, of course, all over the internet, becoming the most streamed new release in Spotify history. It’s already been re-edited by a whole host of DJs and is pretty much nailed on to be the single of the summer.