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Tag Archives | Derek Kaye

10 Greg Wilson & Derek Kaye Remixes Mixed

Remixed by Greg Wilson & Derek Kaye

With all the things I want to do, something always has to give, it’s an ongoing juggling act. By 2012 I was flat out, not only with the DJ side of things, but the blog had really taken off and had begun to take up a lot more time than I’d initially envisaged. On top of this I was still no closer to my aim of moving back into production and developing my own recording projects – a long process which is finally coming to fruition this year, with the first releases on my label, Super Weird Substance, due ahead of the summer months (the blog itself having had to take more of a back seat whilst we pushed this through). So back there in 2012 the only thing to do was stop taking on remixes for a while, just to help clear a bit of space in my world and work out where my priorities lay moving forward. My remixes up to this point can all be found here:
https://soundcloud.com/gregwilson/sets/greg-wilson-versions-2005-2013

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Tracey Emin – Why I Never Became A Dancer

Tracey Emin - Why I Never Became A Dancer

A few years ago I wanted to show a friend Tracey Emin’s 1995 short film, ‘Why I Never Became A Dancer’, but couldn’t find it anywhere online. The last time I’d seen it was perhaps a decade earlier, at The Tate Gallery in Liverpool, so I surmised that, given it’s part of the Tate Collection, it would only be possible to view in an arts space, and not on the internet. I looked to see if I could buy a copy, but no luck there either. Anyhow, it came up in conversation again a few nights ago so I had another look online and, lo and behold, there it was on Vimeo, in all of its grainy Super 8 splendour. It was Emin’s first film, and for me it was a major key to understanding where she was coming from, both as an artist and a person (for her confessional art is, by nature, informed by her personal experience – her approach often brutally honest).

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Blind Arcade Meets Super Weird Substance In The Morphogenetic Field

Blind Arcade Cassette Inlay Low Res

During the last few months I’ve been particularly swamped, working hard on a project that I can happily say has now reached fruition as ‘Blind Arcade Meets Super Weird Substance In The Morphogenetic Field’ – a mixtape featuring 19 tracks, mainly recordings by Blind Arcade. It’s just been made public on SoundCloud, having been shared privately with friends and supporters over the weekend, and we’ve been so happy to see how quickly it’s being embraced in these past 24 hours. It’s available here as a free download:

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Looking Back Moving On

Got a big Easter weekend coming up soon that kicks off at Sankey’s in Manchester with the Haçienda Good Friday event, and rounds off on Easter Sunday with the Loft Studios All-Dayer in London, where I’ll be appearing alongside former New York Studio 54 resident, Kenny Carpenter. It’ll be my 3rd time at Loft Studios – it’s one of my favourite London venues, and was the location of my 8 hour ‘A Night With…’ session in 2012, as well as the memorable hook-up with Danny Krivit last year. More info here:
http://www.residentadvisor.net/event.aspx?563538

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Remixing Joan As Police Woman

Back in December I received an email from Sean Mayo at Play It Again Sam Records asking me if I’d like to remix what I thought, at first glance, was a track by Jon Of The Pleased Wimmin, who’d had some club hits back in the ’90s. I thought this an odd request, not the type of artist I’d expect to be approached to remix. Then I noticed that it was in fact the similarly, but unconnectedly named Joan As Police Woman, aka Brooklyn based Joan Wasser, who’s been recording under this moniker for the past decade in lighthearted homage to the strong and sassy TV character Pepper Anderson (played by Angie Dickenson) from the ’70s series ‘Police Woman’, which was the first successful American primetime TV cop series to feature a woman in the starring role.

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