David Mancuso’s London Loft party, ‘Journey Through The Light’, celebrates its 10th anniversary on June 23rd. Held Upstairs @ The Light in Shoreditch, it’s a party like no other, underpinned by a high-end audiophile sound system that has to be heard to be believed. Although its originator, now approaching his 70s, hasn’t been able to make it in person during recent times, the party continues in his absence, Colleen ‘Cosmo’ Murphy his chosen stand in (he hopes to return for future dates though).
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Given the current fascination with Disco, and a fresh wave of interest in its history, I thought it would be good time to flag up what many would regard as the must read book on the subject, outlining the development of the movement in downtown New York during the ’70s. Here’s my review for Grandslam magazine back in 2003, when Tim Lawrence’s epic ‘Love Saves The Day – A History Of American Dance Music Culture, 1970-1979’ was first published:
Daft Punk are sitting pretty at the top of the UK singles chart for the first time. The track in question, ‘Get Lucky’, taken from their forthcoming album, ‘Random Access Memories’, came as something of a surprise, for instead of hitching itself to the current EDM juggernaut that’s sweeping America, the French duo have completely bucked the trend by drawing their influence from Disco, featuring its most celebrated guitarist, the great Nile Rodgers of the Chic Organisation (as well as R&B vocalist, Pharrell Williams). A media sensation, it’s everywhere at the moment – on the radio, on the TV, in the clubs and, of course, all over the internet, becoming the most streamed new release in Spotify history. It’s already been re-edited by a whole host of DJs and is pretty much nailed on to be the single of the summer.
Just over 12 months ago, on October 29th 2011, the TV and radio personality Sir Jimmy Savile died 2 days before his 85th birthday (he was born on Halloween 1926). He was regarded as one of the great British eccentrics, but there were always rumours about deviant behaviour, although nothing proven. Apart from his contribution to broadcasting, Savile was also said to be the first DJ, not only in Britain, but the World, to use twin-turntables, back in the 1940s, making him an unlikely icon to DJs of the modern era. Here’s the blog post I wrote at the time of his death:
Last month I was over in Chicago chilling out in my hotel room ahead of my first gig in the city, at Smart Bar, a venue with a rich tradition, which opened back in 1982. Chicago is, of course, along with Detroit, Philadelphia and New York, revered as a key US city when it comes to the evolution of dance culture (and, indeed, black culture, with, way before House, a deep heritage in Rhythm & Blues, Blues and Jazz, dating right back to the ‘great migration’ of black workers from the southern states, beginning just over 100 years ago).
Whilst DJ obsessives in this country could tell you the minutia with regards to New York’s celebrated club culture of the ’70s, I’m often surprised to find that they know precious little about what was happening here in the UK at the same time David Mancuso, Nicky Siano, Larry Levan and the other NY legends of the ’70s were bringing Disco to the fore. Maybe they think that there wasn’t much happening here, and that UK DJs were simply following the US lead, whilst, to the contrary, nothing could be further from the truth – go back into the ’70s, before Disco hit its stride, and you’ll find hugely influential figures including Ian Levine, Colin Curtis and Les Spaine in the North, Chris Hill, Bob Jones and George Power in the South – DJs with a wealth of knowledge between them, who made their mark on popular culture here at root level. These are giants, upon the shoulders of which subsequent generations of British DJs stand, whether they know it or not.
Earlier this month Leftside Wobble shared an edit of Man Friday’s ‘Love Honey, Love Heartache’ on his SoundCloud. I left a comment highlighting the history of this track, which read as follows: