Given the widespread outrage at the killing of George Floyd and the resulting Black Lives Matter protests on both sides of the Atlantic, I thought it might be timely to post up on Facebook some important songs of the past that brought the struggle of black people into the popular arena, especially during the Civil Rights era. All are classics, loved by millions, but hopefully this will offer some context with regards to the times in which they were made and the weight of their subsequent cultural significance. Continue Reading →
Tag Archives | David Mancuso
COVID-19 claimed the life of the pioneering Cameroonian musician Manu Dibango earlier this week. He died in Paris where he had been based for many years, moving there in the mid-‘60s – he was 86.
Tony Williams, the accidental UK catalyst for the fusion of Jamiacan Dub and New York dance music during the early-‘80s, sadly died on April 30th. Tony has received scant acknowledgement for this, and it wasn’t until I interviewed him in 2004 that he became aware of this legacy, resulting from the underground popularity of the self-released ‘(Money) No Love’ (artist credit Bo Kool, and arguably the first UK rap recording) and its instrumental flip side ‘Love Money’ (artist credit Funk Masters) pressed up in 1980 on a label named after his daughter, Tania – his production debut. When I commenced my Discotheque Archives series for DJ Magazine, the first edition featured ‘Love Money’ as the Classic Single:
This weekend Colin Curtis celebrates his 50th anniversary as a DJ with a special event at The Exchange in his home city of Stoke-On-Trent. Colin started out in his mid-teens at Newcastle-Under-Lyme’s Crystal Ballroom, before making his all-nighter debut at Stoke’s hallowed Golden Torch, one of Northern Soul’s foundation venues, eventually becoming one of the scene’s leading figures as a result of his legendary ‘70’s partnership with Ian Levine at the Blackpool Mecca. Info about the anniversary date here:
Here’s a short overview I wrote for DJ Mag’s Disco edition last year, outlining some of the musical threads that resulted in the evolving Disco movement’s expansion from the underground into the eye of mainstream attention as the ‘70s unfurled.
Just uploaded the 6th digital edition of the Discotheque Archives series I’ve been putting together for DJ Mag with the help of Josh Ray. Each month it focuses on a classic DJ, a classic club, a classic record and a classic record label – these are generally a combination of US and UK, with the odd European inclusion, each concerned with aspects of pre-Rave club culture.
Back in the early 2000s, when I began to explore the internet properly, discovering a number of DJ forums discussing dance culture and its history, it was clear that the early ’80s had been largely obscured. This was the period that followed the supposed death of Disco in 1979 (prompted by the vitriolic racist / homophobic ‘’Disco Sucks’ campaign fronted by WLUP Chicago shock jock Steve Dahl), and preceded the emergence of House music during the mid-’80s.
Last December, whilst I was in London to collect the DJ Mag Industry Icon award at their Best Of British event at Heaven, editor Carl Loben and digital editor Charlotte Lucy Cijffers approached me with the idea of writing a regular column for the magazine focusing on various aspects of the history of dance culture during the pre-Rave era, taking in the ’60s, ’70s and ’80s.
Today marks the 40th anniversary of my first club appearance. Last night I played for 5 hours at The Garage and tonight I’m at The Jacaranda to conclude a celebratory weekend in my home city of Liverpool with a talk about what it was like to be a DJ back in those proto-Disco days.
One of London’s longest running, and most influential underground club nights, Low Life, bowed out with a bang on Halloween. The party originally started in New York back in the early ’90s (before transferring to London in 1997), its driving force being Bill Brewster and Frank Broughton, who were later to publish the book ‘Last Night A DJ Saved My Life’ (1999), charting the history of the DJ, as well as subsequently setting up the DJ History website. A Ransom Note interview with Bill outlines the reasons behind the decision to call it a day, not only with Low Life, but also with djhistory.com: