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Tag Archives | Chelsea Reach

Coming Of Age – Golden Guinea DJ 1977-1980

By on September 26, 2017 in DJ / Club Culture, Merseyside, The Seventies

Just come across a few paragraphs I wrote as part of my Time Capsule series, where month by month I compiled a selection of the tracks I was playing back in the ‘70s when I started out as a DJ, writing accompanying text about the music featured and my own progression within the local club scene on Merseyside, and more specifically my hometown of New Brighton. I managed to cover the period January 1976 (December 1975 if the prequel, ‘First Impressions’, is included) to September 1977 (each edition originally put together exactly 30 years on, between Jan ‘06 – Sept ‘07) but the process became too time-consuming to maintain, at a point when my DJ trajectory had really built momentum.

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Stevie’s Songs – 40 Years On

By on October 27, 2016 in Black Culture, Records, The Seventies

Stevie Wonder 'Songs In The Key Of Life' album cover 1976

Rewinding 40 years, a new double-album had just been issued that would provide the black music event of the year. 1976 marked the emergence of Punk, but my attention, as a 16 year old DJ working at local venues, the Chelsea Reach and the Penny Farthing in my hometown of New Brighton, was very much geared towards the Soul, Funk and Disco flavours of the time, and the release of a new Stevie Wonder album, let alone a double album (which also included a bonus 4 track EP), was greatly anticipated. It was the first UK release on the newly designed blue Motown label, which had replaced the classic Tamla Motown label that had issued all Motown output here since the mid-’60s, bringing the company’s various imprints (including Motown, Tamla, Gordy, Soul and V.I.P) under one inimitable umbrella.

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The Reward For Work Is More Work

By on October 17, 2012 in CD’s / Digital, DJ Appearances, Hear, Mixes, Records

When my agent, Matt Johnson, booked me in for ‘A Night With…’, I hadn’t realised that it did exactly what it said on the tin, namely present just the one DJ for the full 8 hours the venue was open. I generally play for either 2 or 3 hours, with the odd 4 hour slot along the way – the only times I can recall playing longer (since I started out again), was a night at The Key in London back in 2005, and then the Credit To The Edit launch parties, both Sunday All-Dayers held at a couple of East End boozers (The Dolphin in 2005 and The Horse & Groom in 2009), so, as you can imagine, it came as a bit of a shock when the penny dropped and I realised that I’d unwittingly signed up for a marathon, but I quickly warmed to the idea and began to ponder the possibilities it presented.

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Living To Music – Parliament ‘Mothership Connection’

By on June 25, 2012 in Black Culture, CD’s / Digital, Hear, Living To Music, Records

ARTIST: PARLIAMENT

ALBUM: MOTHERSHIP CONNECTION

LABEL: CASABLANCA

YEAR: 1975

This Sunday (July 1st) at 9pm, you’re invited to share a listening session with some likeminded souls, wherever you might be. This can be experienced either alone or communally, and you don’t need to leave the comfort of your own home to participate. Full lowdown here:
//blog.gregwilson.co.uk/2010/06/living-to-music/

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Time Capsule

By on November 10, 2011 in Black Culture, CD’s / Digital, DJ / Club Culture, Magazines, Records, The Seventies

In December 2005 I wanted to do something to mark the 30th anniversary of when I made my club debut, on December 6th 1975 at the Chelsea Reach in New Brighton, and I came up with the idea of compiling a selection of 25 singles that I was carrying in my record crates at the time (we used to use old wooden drinks crates, which were the perfect size for 7” singles – the 12” not making its appearance until the following year).

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