I started writing this before I headed off on my travels to Hong Kong, Australia, New Zealand and back to Australia again (concluded on my return home, having made notes along the way). I’ve been very preoccupied with time, or, to be more precise, the lack of it – this is where my head was at:
Tag Archives | Alan Moore
“I suppose when I was writing V For Vendetta I would in my secret heart of hearts have thought: wouldn’t it be great if these ideas actually made an impact? So when you start to see that idle fantasy intrude on the regular world… It’s peculiar. It feels like a character I created 30 years ago has somehow escaped the realm of fiction.” – Alan Moore 2011
With the recent ‘Astrid And The Exis’ piece came the realisation that this was, over 100 posts in, the first time I’d focused on a photographer. I thought I’d better begin to address this accidental omission, and pay more props to the still image, starting off with the controversial Tokyo photographer Nobuyoshi Araki, now in his seventies, whose medium ranges from global art galleries to the pages of readers wives type porno mags (which brings to mind what Alan Moore said about the difference between erotica and pornography being largely dependent on the income bracket of the buyer).
“In my work as an author, I traffic in fiction, I do not traffic in lies.”
Further to the two recent posts below, relating to my latest obsession, just wanted to round things up on the Watchmen front.
Further to the recent post – ‘All Along The Watchmen’:
It’s funny on how one thing can lead to another – those seemingly unrelated connections I’ve previously mentioned colliding to reveal exciting new avenues of exploration. Following on from my recent ‘Getting On My Dylan’ post (https://blog.gregwilson.co.uk/2011/06/getting-my-dylan-on/) I finally got around to watching the film adaptation of the classic Alan Moore / Dave Gibbons graphic novel, ‘Watchmen’.