As you’re no doubt aware, Manchester holds special significance for me, dating back to my fruitful association with Legend in the early ’80s. I talked about the return to my ‘spiritual home’ to reactivate my DJ career in the recent Music Is Better Re-Edited Highlights post: https://blog.gregwilson.co.uk/2011/09/music-is-better-re-edited-highlights
Just dug out a copy of the Music Is Better CD, a limited edition of 500 that followed my DJ comeback on December 20th 2003 at the Music Is Better night in The Attic, Manchester. It’s now been made available via SoundCloud.
For my 100th blog post thought I’d flag up another personal anniversary this month.
ARTIST: PRIMAL SCREAM
This Sunday (April 3rd), at 9pm, you’re invited to share a listening session with some likeminded souls, wherever you might be. This can be experienced either alone or communally, and you don’t need to leave the comfort of your own home to participate. Full lowdown here:
I’ve just uploaded three previously unavailable ‘turntable edits’ (as I called them at the time), which can now be streamed at my MixCloud page. Back when I did them in 1984, their original purpose was to help me in my forlorn quest to make a breakthrough into remixing, but they were also played on Manchester’s Piccadilly Radio during Timmy Mallett’s award winning ‘Timmy On The Tranny’ shows, which hit the bullseye with the teenage audience they were aimed at.
I was recently asked about Peter Hook’s book by Joe Rose on the Big Chill forum. He commented “just been reading about you in Hooky’s ‘Haçienda – How Not To Run A Club’… sounds like those early days at the Hac were bizarre!” To which I replied:
A great new book documenting the London based dance publication Soul Underground is now available via DJ History. ‘Catch The Beat’ spans the pivotal years 1987-1991, as UK dance culture was breaking out of its previously specialist confines and coming right into mainstream focus.
Last month I came across a thread titled ‘Where were you in 1990?’ on the DJ History forum. It wasn’t until I was typing out the comment below that I realised just how momentous a year it was for me – tinged with the bittersweet I should add. Here’s what I wrote:
I first came across Adrian Luvdup in the early ’90s, when he was deejaying as one of the Luvdup Twins. I remember going to a night they played at in Liverpool that was promoted by the Girls On Top, Jill & Sonia, whose parties I used to enjoy (having said this I’d been to Most Excellent at The Brickhouse in Manchester prior to this and I’ve since learnt that Adrian was a resident there). The ‘twins’ were an integral part of that post-Madchester period from which the Chemical Brothers (then students in the city) drew so much inspiration, with DJs like Justin Robertson, Richard Moonboots and Greg Fenton, along with Adrian, Mark, and subsequently Mike Luvdup (aka Balearic Mike), evolving a distinctly Mancunian brew of Balearia, which resonates right through to this day.
This month marks a big anniversary for me – it’s exactly twenty years since the crew I worked so closely with for over five years, as producer, manager and all round collaborator, saw their debut LP, the ‘Killer Album’, released via EMI.