I wanted to write in greater personal detail about David Bowie and the depth of impact his music and words had on me during my formative teenage years – this occurring when I was between the ages of 12 and 15. I’d uploaded a blog post once I’d heard about his death, but I’ve found myself needing to revisit what was a magical mystical part of my musical / life initiation, as much for myself as anyone else, both by listening through the records I loved, and still love, whilst getting it all into words somehow. Once I started writing this I couldn’t contain it – it was bursting out of all sides. So please excuse me for the tangents I go off on and the jumping about – there’s no easy coherent way for me to express this. For a period following his 6th July 1972 ‘Starman’ performance on Top Of The Pops, until 1975, when I began to disengage, Bowie ruled ok in my world.
Tag Archives | The Rise And Fall Of Ziggy Stardust And The Spiders From Mars
Woke up to the news this morning that David Bowie had died from cancer, aged 69, just a few days on from his birthday last Friday when his latest album, ‘Blackstar’, was released.
ARTIST: DAVID BOWIE
ALBUM: HUNKY DORY
This Sunday (November 4th) at 9pm, you’re invited to share a listening session with some likeminded souls, wherever you might be. This can be experienced either alone or communally, and you don’t need to leave the comfort of your own home to participate. If it’s not possible to make the allotted time, hopefully you can join in at your convenience at some point during the following week. See update here:
Like so many of my generation I was transfixed to my TV screen exactly 40 years ago today, when David Bowie performed ‘Starman’ on Top Of The Pops, and Ziggy Stardust, the singer’s alter ego, burst ever so brashly into public consciousness, ushering in a new era for Pop music.
Latest comments from last Sunday’s De La Soul session can be found here:
Beats In Space, the cult New York radio show hosted by Tim Sweeney, has a dedicated audience of groove aficionados and is held in high regard by the underground dance community worldwide. Tim asked me to do a mix for the show as far back as 2006, but a US tour that was in the pipeline never materialised, so the idea went on the backburner and, although my intention was to find the time to do something special for the show, life moved on and, before I knew it, it was 2010.