Running Back, the German dance label headed up by DJ Gerd Janson, re-issue one of the first tracks I ever worked on today, 34 years on from its original release in 1984.
Tag Archives | Street Sounds
I’ve written / adapted some sleeve notes for the new Joey Negro / Z Records compilation, which I’ve reproduced below. The album is available now on CD and digital, whilst there’s also a vinyl double-pack available, featuring 8 of the tracks, 2 per side. You can purchase the various formats here:
Secret Life have just published my selection of ’20 Choice Edits & Reworks’. It’s the 5th annual list I’ve compiled, with Secret Life providing individual inclusions whenever possible:
The second edition of my ‘Discotheque Archives’ series for DJ Mag is now online, featuring more landmarks in pre-Rave club culture:
In 2009 I wrote an article on the history of mixing in this country called ‘How The Talking Stopped’. It was the most in depth piece I’d ever written, the research alone had taken many months, including a couple of trips to the British Library in London to comb through the copies of Record Mirror they have archived there, for it was within this magazine that the person who I’d certainly argue did more to promote UK DJ culture than any other human being, connected (via his essential weekly dance column) with fellow DJs in every corner of the country. This was the literally larger than life James Hamilton (1942-1996), and if you’re a British DJ, whether you’ve heard of him or not, you can’t have escaped his influence, for he’s part of the very fabric of our DJ / club heritage.
2013 sees Greg Wilson taking his first steps back into record production, starting off with Schooled In The Classics, a series of groove based dance tunes put together to play out at his gigs, the initial tracks being first road tested in Chicago and New York last year to a great response. Greg now plans to issue 8 Schooled In The Classics tracks this year, both digitally and via 4 limited edition 180g vinyl releases. The first 2 tracks in the series, ‘12-Turn-13’ and ‘Blue Angel’, are issued this week.
It’s 2013 and Coldcut duo Jonathan More and Matt Black are celebrating the 25th anniversary of their Solid Steel radio show. To mark this milestone, a number of selectors have been invited to contribute a mix to the programme, its presenters choosing various artists and DJs they feel have had a significant presence at some point during the last 25 years. I regard it as a big compliment to be one of those approached, so was more than happy to oblige, the only brief being that they wanted us to weigh in with something that sits outside of that for which we’re generally known, which suited me fine – it was just a case of what?
During the 1980s Morgan Khan was viewed as a ‘dance music mogul’, a true instigator who enriched British culture via his unyielding efforts, driven by ‘an ego’, as Blues & Soul once put it, ‘bordering on the manic’ – Khan was (and remains) a force of nature. The fact that his absolutely pivotal contribution to the UK dance movement is constantly ignored remains a great travesty. If you know nothing about his Street Sounds label your knowledge of how dance culture developed in this country is terminally flawed – it’s as simple as that.
As I navigated the winding country lanes on my way to the M5 from Minehead, where I’d been playing the Sunday night 1.00am-3.00am closing slot / graveyard shift at the inaugural ‘House Of Fun’ weekender, I was pleased to discover that there was a programme on the radio about the JFK assassination 48 years ago in 1963. Always a subject of fascination, this would help me whittle away half an hour of journey time as I weaved onwards towards the motorway.
A great new book documenting the London based dance publication Soul Underground is now available via DJ History. ‘Catch The Beat’ spans the pivotal years 1987-1991, as UK dance culture was breaking out of its previously specialist confines and coming right into mainstream focus.