I was at baggage claim in San Francisco airport in November 2008, just about to embark on my first visit to the city, when I received a call from my agent, Matt Johnson, telling me that Huw Owen from the production company Something Else had been in touch requesting an Essential Mix from me for Pete Tong’s BBC Radio 1 show. December 13th had originally been suggested as the date of broadcast, but in the end we settled on January 17th, with delivery requested 5 days earlier on the 12th.Continue Reading →
Tag Archives | Revox B77
Exactly 30 years ago today, on 25th February 1983, I appeared on Channel 4’s influential music show, ‘The Tube’, demonstrating mixing for the first time on live TV in the UK – just my luck that the very point I was encapsulated in a cultural moment, it coincided with a brief phase where I looked like an extra from the Hair Bear Bunch, but that’s the way the mop flops. The footage is nowadays fondly regarded as part of British dance heritage, illustrating how the New York innovation of mixing was finally finding favour on this side of the Atlantic, where the microphone was still a key component of the DJs approach. For a full account of how UK DJs gradually put down the microphone and embraced mixing, check out ‘How The Talking Stopped’, an in-depth step by step account of its British evolution:
It’s my 200th blog post, so, in contrast to my 100th post, which was about the club where, as I’ve previously stated, ‘I experienced my greatest DJ highs’, Legend in Manchester, this time I wanted to to share something that symbolises a time when the garden wasn’t so rosy, and I was struggling with life, both externally and internally. ‘The Monastic Mix’, from 1996, was a much needed catharsis for me, both an ending and a fresh starting point – it was the last mix I ever tape edited, putting it together on my original Revox B77 reel-to-reel, which I’d bought 14 years earlier, back in 1982, in order to record / edit my Piccadilly Radio mixes in my home DJ studio.
One of the defining moments of my DJ career took place exactly 30 years ago, on Monday May 10th 1982, when my first radio mix was broadcast on Mike Shaft’s show, ‘T.C.O.B’ (Taking Care Of Business), on Manchester’s hugely influential Piccadilly Radio, which played a major part in bringing black / dance music to wider attention during the ’70s and ‘80s – from Soul, Funk and Disco, through Jazz-Funk and Electro, and on into Hip Hop, House and Techno. I go into its rich legacy in greater depth here: