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Tag Archives | Love Saves The Day

The Complete Early ’80s Floorfillers

As outlined in the previous blog posts, the end of 2013 was all about 2 significant anniversaries for me – the 10th anniversary of my DJ return, swiftly followed by the 30th anniversary of my first time around ‘retirement’. Given that I stopped at the end of ’83, this brought my ‘Early ’80s Floorfillers’ series to a conclusion after 24 monthly episodes that spanned January ‘82 to December ’83, each edition appearing 30 years on from when I originally played these records.

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David Mancuso And The Art Of Deejaying Without Deejaying

David Mancuso - photo by Roberto Najar

David Mancuso’s London Loft party, ‘Journey Through The Light’, celebrates its 10th anniversary on June 23rd. Held Upstairs @ The Light in Shoreditch, it’s a party like no other, underpinned by a high-end audiophile sound system that has to be heard to be believed. Although its originator, now approaching his 70s, hasn’t been able to make it in person during recent times, the party continues in his absence, Colleen ‘Cosmo’ Murphy his chosen stand in (he hopes to return for future dates though).

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Disco Now Disco Then

Daft Punk are sitting pretty at the top of the UK singles chart for the first time. The track in question, ‘Get Lucky’, taken from their forthcoming album, ‘Random Access Memories’, came as something of a surprise, for instead of hitching itself to the current EDM juggernaut that’s sweeping America, the French duo have completely bucked the trend by drawing their influence from Disco, featuring its most celebrated guitarist, the great Nile Rodgers of the Chic Organisation (as well as R&B vocalist, Pharrell Williams). A media sensation, it’s everywhere at the moment – on the radio, on the TV, in the clubs and, of course, all over the internet, becoming the most streamed new release in Spotify history. It’s already been re-edited by a whole host of DJs and is pretty much nailed on to be the single of the summer.

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How Clubbing Changed The World

Last month I was over in Chicago chilling out in my hotel room ahead of my first gig in the city, at Smart Bar, a venue with a rich tradition, which opened back in 1982. Chicago is, of course, along with Detroit, Philadelphia and New York, revered as a key US city when it comes to the evolution of dance culture (and, indeed, black culture, with, way before House, a deep heritage in Rhythm & Blues, Blues and Jazz, dating right back to the ‘great migration’ of black workers from the southern states, beginning just over 100 years ago).

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The Eclectic Circus

I first came across Adrian Luvdup in the early ’90s, when he was deejaying as one of the Luvdup Twins. I remember going to a night they played at in Liverpool that was promoted by the Girls On Top, Jill & Sonia, whose parties I used to enjoy (having said this I’d been to Most Excellent at The Brickhouse in Manchester prior to this and I’ve since learnt that Adrian was a resident there).  The ‘twins’ were an integral part of that post-Madchester period from which the Chemical Brothers (then students in the city) drew so much inspiration, with DJs like Justin Robertson, Richard Moonboots and Greg Fenton, along with Adrian, Mark, and subsequently Mike Luvdup (aka Balearic Mike), evolving a distinctly Mancunian brew of Balearia, which resonates right through to this day.

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