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Tag Archives | Late Nite Tuff Guy

Shep Pettibone – The Mastermixer

Shep Pettibone

I received a copy of the new Late Nite Tuff Guy remix 12” through the post recently. Issued by Salsoul, the classic New York label that unleashed numerous dancefloor gems between 1974-84, including the very first commercially available 12”, ‘Ten Percent’ by Double Exposure (1976). LNTG’s 12” included another Double Exposure favourite, ‘Everyman’, plus ‘Dr Love’ by First Choice, both of which have been huge for me, having received digital copies in the last couple of years – ‘Everyman’ topping my ’20 Choice Edits & Reworks’ selection for 2017, whilst ‘Dr Love’ featured on the 2016 list:
http://blog.gregwilson.co.uk/2017/12/20-choice-edits-reworks-2017/

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Re-Edit Culture – A Potted History Of The DJ Manipulator

Reel To Reel Room

Back in 1966, The Beatles’ record producer, George Martin, executed my favourite singular edit of all time. John Lennon had been working on the now iconic ‘Strawberry Fields Forever’ – he’d recorded 2 versions, and was faced with the dilemma of wanting to use the first section of one recording, but take the rest of the track from a completely different and more progressive version. His comment to George Martin, when the producer pointed out the difficulties of matching pitch and tempo, was ‘you can fix it’. The fixed version is the definitive one that we all know, two recordings perfectly merged together by one decisive splice. You can hear it, if you listen carefully, at just before the minute mark, on ‘going to’:
https://www.youtube.com/watch?v=8UQK-UcRezE 

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20 Choice Edits And Reworks 2014

GW Revox Custom Reels By Felix Braun Photo By Elspeth Moore (1)

The Secret Life website has just put up my ’20 Choice Edits & Reworks For 2014′. It’s becoming something of an annual occurrence, this being the 3rd year that Secret Life have hosted the list, each inclusion complete with its own SoundCloud embed so you can hear all the individual tracks. Check it out here:
http://secretlifemusic.com/greg-wilson-20-choice-edits-reworks-for-2014/

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Revisionism – Remixing The Reflex Way

Michael-Jackson-Revised

A couple of months ago, when I last played in Brighton, I was talking to Paul Budd, the promoter (and DJ Pablo Contraband), about how things were going with his Unity Agency (a man of many fingers in pies is Paul / Pablo). He was really excited about just having added The Reflex as the latest addition to an increasingly impressive roster that also includes the likes of Late Nite Tuff Guy, Rayko, Social Disco Club and Fingerman. The Reflex is London based French DJ / Producer, Nicolas Laugier, and it wasn’t just his work that impressed Paul, but his overall persona. Paul told me;

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A&R Edits

Derek Kaye, Greg Wilson, Henry Greenwood

The first 2 releases on the new A&R Edits label are simultaneously issued this week on limited DJ only vinyl – ‘Buffalo Dance’ / ‘Voice of Nature’, Henry Greenwood’s reworks of Neneh Cherry’s ‘Buffalo Stance’ and George Benson’s version of ‘Nature Boy’, and ‘Nobody’ / ‘Music Up’, Derek Kaye’s takes on ‘Ain’t Nobody’ by Rufus Featuring Chaka Khan (which fuses the Frankie Knuckles ‘Hallucinogenic Mix’ and the ‘Bassapella’ with the original) and ‘Turn The Music Up’ by Players Association.

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Disco Now Disco Then

Daft Punk are sitting pretty at the top of the UK singles chart for the first time. The track in question, ‘Get Lucky’, taken from their forthcoming album, ‘Random Access Memories’, came as something of a surprise, for instead of hitching itself to the current EDM juggernaut that’s sweeping America, the French duo have completely bucked the trend by drawing their influence from Disco, featuring its most celebrated guitarist, the great Nile Rodgers of the Chic Organisation (as well as R&B vocalist, Pharrell Williams). A media sensation, it’s everywhere at the moment – on the radio, on the TV, in the clubs and, of course, all over the internet, becoming the most streamed new release in Spotify history. It’s already been re-edited by a whole host of DJs and is pretty much nailed on to be the single of the summer.

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The Anatomy Of An Edit

One of the biggest tunes for me during the past 12 months has been the edit I did of Late Nite Tuff Guy’s ‘One Nite In A Disco’. It’s finally been made available as a digital download, having previously been part of a limited vinyl only EP, which, now digitized, is topping Juno’s Disco download chart as I write this:
http://www.junodownload.com/products/1937261-02.htm

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