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Tag Archives | John Lennon

Revolver – 50 Years

Revolver

It was half a century ago today that one of the great albums of the pop era, ‘Revolver’ by The Beatles, was released. It was the 7th Beatles album and their 7th UK #1 (all of The Beatles’ studio albums topped the UK chart). It generally places highly on critic’s best album of all-time lists.

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Bowie – My First Great Obsession

Brixton Bowie by Micha Theiner

I wanted to write in greater personal detail about David Bowie and the depth of impact his music and words had on me during my formative teenage years – this occurring when I was between the ages of 12 and 15. I’d uploaded a blog post once I’d heard about his death, but I’ve found myself needing to revisit what was a magical mystical part of my musical / life initiation, as much for myself as anyone else, both by listening through the records I loved, and still love, whilst getting it all into words somehow. Once I started writing this I couldn’t contain it – it was bursting out of all sides. So please excuse me for the tangents I go off on and the jumping about – there’s no easy coherent way for me to express this. For a period following his 6th July 1972 ‘Starman’ performance on Top Of The Pops, until 1975, when I began to disengage, Bowie ruled ok in my world.

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David Mancuso And The Art Of Deejaying Without Deejaying

David Mancuso - photo by Roberto Najar

David Mancuso’s London Loft party, ‘Journey Through The Light’, celebrates its 10th anniversary on June 23rd. Held Upstairs @ The Light in Shoreditch, it’s a party like no other, underpinned by a high-end audiophile sound system that has to be heard to be believed. Although its originator, now approaching his 70s, hasn’t been able to make it in person during recent times, the party continues in his absence, Colleen ‘Cosmo’ Murphy his chosen stand in (he hopes to return for future dates though).

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Living To Music 33⅓

33⅓

Following a run of 2 years 9 months I’ve decided to wind things down with Living To Music, making it an irregular feature of the blog from herein. Up until now it had been a monthly series, but something has to give and, as I’m currently stuggling to fit in all the things I need to be doing, I can’t maintain this commitment, although I don’t want to stop the series completely.

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Living To Music – John Lennon ‘John Lennon / Plastic Ono Band’

John Lennon Plastic Ono Band

ARTIST: JOHN LENNON

ALBUM: JOHN LENNON / PLASTIC ONO BAND

LABEL: APPLE

YEAR: 1970

This Sunday (March 7th) at 9pm, you’re invited to share a listening session with some likeminded souls, wherever you might be. This can be experienced either alone or communally, and you don’t need to leave the comfort of your own home to participate. If it’s not possible to make the allotted time, hopefully you can join in at your convenience at some point during the following weeks. See update here:
http://blog.gregwilson.co.uk/2012/07/living-to-music-update-july-2012/

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Their Name Liveth For Evermore

On October 5th 1962 the first single by The Beatles, ‘Love Me Do’ c/w ‘P.S. I Love You’, was released in the UK on the Parlophone label. Principally written by Paul McCartney a few years earlier, when he was 16 (John Lennon added the middle-eight), and based around 3 chords, it was the first of a run of 3 singles that featured John Lennon on harmonica – the others being ‘Please Please Me’ and ‘From Me To You’, both released the following year (the instrument, a signature of the early Beatles sound, was retired by Lennon 1965). The harmonica used had been pinched from a music shop 2 years previously in Arnhem, Holland, whilst The Beatles were on their way to their first stint in Hamburg, Germany (Aug – Dec ’60).  A photograph was also taken of them that day by Barry Chang, the brother-in-law of then manager Allan Williams, as they passed through Arnhem, which would later prove to be somewhat prophetic – the then unknown band, minus Lennon, with their pre-Ringo drummer Pete Best and original bassist Stuart Sutcliffe, Williams and his wife Beryl, along with Williams’ one-time partner Lord Woodbine (aka Harold Phillips), who drove the minibus they were travelling in over from Liverpool. The snapshot was taken in front of the War Memorial, on which the legend ‘Their Name Liveth For Evermore’ was carved. Lennon had stayed in the van, opting out of the photo opportunity, whilst apparently declaring himself, in another portent of the future, a pacifist.

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