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Tag Archives | Happy Mondays

Memoir Of A Manchester DJ

Sonic Youth Slept On My Floor

Dave Haslam’s new book, ‘Sonic Youth Slept On My Floor’ has just been published by Constable. It’s an ode to his time in Manchester, from 1980 when he arrived in the city from his Birmingham home to study English Literature, right through until what he’s been up to in more recent times, but as you’d expect given Dave’s Haçienda legacy, particular emphasis is placed on his time as DJ at the much-hallowed venue, and the clubs that orbited around it.

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The Gateway Drug

KLF

I’m all about connections. What really turns me on is when two previously separate areas of interest suddenly collide head on thanks to the discovery of a new piece of information. The connections are already there, it’s just that we’re blind to them much of the time, so when John Higgs, the author of ‘The KLF: Chaos, Magic And The Band Who Burned A Million Pounds’, does the detective work and pieces of the jigsaw fall together in a way that reveals a different picture to what we may previously have envisaged, that’s a deeply nourishing feast for me.

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Looking Back Moving On

Got a big Easter weekend coming up soon that kicks off at Sankey’s in Manchester with the Haçienda Good Friday event, and rounds off on Easter Sunday with the Loft Studios All-Dayer in London, where I’ll be appearing alongside former New York Studio 54 resident, Kenny Carpenter. It’ll be my 3rd time at Loft Studios – it’s one of my favourite London venues, and was the location of my 8 hour ‘A Night With…’ session in 2012, as well as the memorable hook-up with Danny Krivit last year. More info here:
http://www.residentadvisor.net/event.aspx?563538

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The Monastic Mix

It’s my 200th blog post, so, in contrast to my 100th post, which was about the club where, as I’ve previously stated, ‘I experienced my greatest DJ highs’, Legend in Manchester, this time I wanted to to share something that symbolises a time when the garden wasn’t so rosy, and I was struggling with life, both externally and internally. ‘The Monastic Mix’, from 1996, was a much needed catharsis for me, both an ending and a fresh starting point – it was the last mix I ever tape edited, putting it together on my original Revox B77 reel-to-reel, which I’d bought 14 years earlier, back in 1982, in order to record / edit my Piccadilly Radio mixes in my home DJ studio.

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Video Blog

Back in March I did a gig with a difference at the Queen Of Hoxton in London, promoted by Cosmic Boogie and Big In Japan. Apart from being booked to play an as per normal DJ slot, a few hours beforehand I’d been invited to present a ‘Soundtrack Set’, where I added a visual aspect to the music of my choice. This took place in a huge tepee on the roof, and the idea certainly caught the imagination with tickets selling out in advance. This was the second Soundtrack Set, the previous one hosted by the illustrious JD Twitch (from Glasgow’s Optimo) who’d played his own selection of music to accompany the screening of the visually stunning ‘Baraka – A World Beyond Words’ (1992), which took its cue from 1982’s eco-conscious cult-classic ‘Koyaanisqatsi’ and its sequel ‘Powaqqatsi’ (1988), its epic scale providing a broad canvas onto which Twitch would re-imagine its score.

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