Running Back, the German dance label headed up by DJ Gerd Janson, re-issue one of the first tracks I ever worked on today, 34 years on from its original release in 1984.
Tag Archives | Greg Wilson
Such tragic news to hear that Navid Izadi died earlier this month, aged just 32, when the Cessna light aircraft he was a passenger on crashed in a parking lot in Santa Ana, California, killing him, along with his mother and 3 others onboard.
The Queen is dead. Aretha Franklin, born in Detroit 76 years ago, and destined to be acknowledged as ‘The Queen Of Soul’ following her late-‘60s breakthrough, was the daughter of minister C.L. Franklin, developing her vocal prowess in the church, before embarking on a secular career in 1960, when she was 18.
Following on from the ‘Credit To The Edit Vol 3’ CD release on Tirk earlier this year, we’re pleased to let you know that 8 of the tracks have been pressed to vinyl – 2 discs, 2 tracks per side.
After having to put the Super Weird Substance label on the backburner for a while (although we were still very much active with last year’s ’14 Hour Super Weird Happening’ and the ‘Alan Moore’s Mandrill Meets Super Weird Substance At The Arts Lab Apocalypse in Liverpool’, we are now in the process of recalibration – the first step being this limited-run 12”, featuring 2 tracks previously released on the label that sold out of existing vinyl supplies, with a demand building since, plus 2 more never previously available on vinyl. The record can be ordered here:
https://superweirdsubstance.bandcamp.com/merch/substance-select-vol-1-vinyl-only Continue Reading →
Sheffield-born Peter Stringfellow who died yesterday, aged 77, was Britain’s most famous nightclub entrepreneur. The glitzy London club that bore his name a magnet for celebrities during the ‘80s, epitomising the glamourous world he always sought, in contrast to his cash-strapped working class roots.
The recent Childish Gambino video to ‘This Is America’ provided a genuine cultural moment, reminding us of the long-standing tradition of the protest song, and how well-chosen words (combined with imagery in this case) can pierce us on a deeper level.
The twenty fourth and penultimate edition of my ‘Discotheque Archives’ series for DJ Mag is now online, featuring more landmarks in pre-Rave club culture:
Tony Williams, the accidental UK catalyst for the fusion of Jamiacan Dub and New York dance music during the early-‘80s, sadly died on April 30th. Tony has received scant acknowledgement for this, and it wasn’t until I interviewed him in 2004 that he became aware of this legacy, resulting from the underground popularity of the self-released ‘(Money) No Love’ (artist credit Bo Kool, and arguably the first UK rap recording) and its instrumental flip side ‘Love Money’ (artist credit Funk Masters) pressed up in 1980 on a label named after his daughter, Tania – his production debut. When I commenced my Discotheque Archives series for DJ Magazine, the first edition featured ‘Love Money’ as the Classic Single:
The twenty third edition of my ‘Discotheque Archives’ series for DJ Mag is now online, featuring more landmarks in pre-Rave club culture: