I’ve finally managed to collect all my main online activity together, by way of a hub page that provides a sort of easy to bookmark one-stop shop with everything accessible from a single page.
Tag Archives | Greg Wilson
50 years ago today an album was released that took pop music, something previously regarded as disposable, into the realm of art, whilst helping enable a vital generation of young people to throw off the shackles and express themselves in ever-ambitious ways – ‘Sgt.Pepper’s Lonely Hearts Club Band’ soundtracked the fabled ‘summer of love’, which had spilled out into an unsuspecting world via the US West Coast, its psychedelic epicentre being San Francisco’s Haight-Ashbury neighbourhood, where the original hippies had gathered and pondered the meaning of it all, adopting a lateral LSD-laced stance on life that would be a defining feature of the decade.
This Friday (May 19th) I’m playing a pretty extraordinary gig in Liverpool within one of the city’s most iconic buildings, the Anglican Cathedral. It’s a free event, part of the LightNight celebrations throughout the city, and I’ll be appearing between 9pm-11pm.
This weekend Colin Curtis celebrates his 50th anniversary as a DJ with a special event at The Exchange in his home city of Stoke-On-Trent. Colin started out in his mid-teens at Newcastle-Under-Lyme’s Crystal Ballroom, before making his all-nighter debut at Stoke’s hallowed Golden Torch, one of Northern Soul’s foundation venues, eventually becoming one of the scene’s leading figures as a result of his legendary ‘70’s partnership with Ian Levine at the Blackpool Mecca. Info about the anniversary date here:
The thirteenth edition of my ‘Discotheque Archives’ series for DJ Mag is now online, featuring more landmarks in pre-Rave club culture:
Here’s a short overview I wrote for DJ Mag’s Disco edition last year, outlining some of the musical threads that resulted in the evolving Disco movement’s expansion from the underground into the eye of mainstream attention as the ‘70s unfurled.
The twelfth edition of my ‘Discotheque Archives’ series for DJ Mag is now online, featuring more landmarks in pre-Rave club culture:
On April Fools’ Day our record label, Super Weird Substance, is hosting its most ambitious event to date – a 14 hour long Happening that takes over The Florrie, a stunning Grade II Victorian community heritage venue in Liverpool.
I’ve written / adapted some sleeve notes for the new Joey Negro / Z Records compilation, which I’ve reproduced below. The album is available now on CD and digital, whilst there’s also a vinyl double-pack available, featuring 8 of the tracks, 2 per side. You can purchase the various formats here:
Back in 1966, The Beatles’ record producer, George Martin, executed my favourite singular edit of all time. John Lennon had been working on the now iconic ‘Strawberry Fields Forever’ – he’d recorded 2 versions, and was faced with the dilemma of wanting to use the first section of one recording, but take the rest of the track from a completely different and more progressive version. His comment to George Martin, when the producer pointed out the difficulties of matching pitch and tempo, was ‘you can fix it’. The fixed version is the definitive one that we all know, two recordings perfectly merged together by one decisive splice. You can hear it, if you listen carefully, at just before the minute mark, on ‘going to’: