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Tag Archives | Frankie Knuckles

Remixing Joan As Police Woman

Back in December I received an email from Sean Mayo at Play It Again Sam Records asking me if I’d like to remix what I thought, at first glance, was a track by Jon Of The Pleased Wimmin, who’d had some club hits back in the ’90s. I thought this an odd request, not the type of artist I’d expect to be approached to remix. Then I noticed that it was in fact the similarly, but unconnectedly named Joan As Police Woman, aka Brooklyn based Joan Wasser, who’s been recording under this moniker for the past decade in lighthearted homage to the strong and sassy TV character Pepper Anderson (played by Angie Dickenson) from the ’70s series ‘Police Woman’, which was the first successful American primetime TV cop series to feature a woman in the starring role.

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A&R Edits

Derek Kaye, Greg Wilson, Henry Greenwood

The first 2 releases on the new A&R Edits label are simultaneously issued this week on limited DJ only vinyl – ‘Buffalo Dance’ / ‘Voice of Nature’, Henry Greenwood’s reworks of Neneh Cherry’s ‘Buffalo Stance’ and George Benson’s version of ‘Nature Boy’, and ‘Nobody’ / ‘Music Up’, Derek Kaye’s takes on ‘Ain’t Nobody’ by Rufus Featuring Chaka Khan (which fuses the Frankie Knuckles ‘Hallucinogenic Mix’ and the ‘Bassapella’ with the original) and ‘Turn The Music Up’ by Players Association.

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Disco Now Disco Then

Daft Punk are sitting pretty at the top of the UK singles chart for the first time. The track in question, ‘Get Lucky’, taken from their forthcoming album, ‘Random Access Memories’, came as something of a surprise, for instead of hitching itself to the current EDM juggernaut that’s sweeping America, the French duo have completely bucked the trend by drawing their influence from Disco, featuring its most celebrated guitarist, the great Nile Rodgers of the Chic Organisation (as well as R&B vocalist, Pharrell Williams). A media sensation, it’s everywhere at the moment – on the radio, on the TV, in the clubs and, of course, all over the internet, becoming the most streamed new release in Spotify history. It’s already been re-edited by a whole host of DJs and is pretty much nailed on to be the single of the summer.

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