The twenty third edition of my ‘Discotheque Archives’ series for DJ Mag is now online, featuring more landmarks in pre-Rave club culture:
Tag Archives | Factory records
Very sorry to hear about the death of Diane Charlemagne yesterday, the Moss Side singer / songwriter succumbing to lung cancer, aged just 51.
Been meaning to get this amended article onto the blog. It’s something I originally wrote back in 2003 for Grandslam magazine as a feature revolving around the release of 2 No Wave compilations at the time, one on the re-activated ZE label, the other on Soul Jazz. The piece was originally published under the title ‘When Punk Met Funk’.
Got a big Easter weekend coming up soon that kicks off at Sankey’s in Manchester with the Haçienda Good Friday event, and rounds off on Easter Sunday with the Loft Studios All-Dayer in London, where I’ll be appearing alongside former New York Studio 54 resident, Kenny Carpenter. It’ll be my 3rd time at Loft Studios – it’s one of my favourite London venues, and was the location of my 8 hour ‘A Night With…’ session in 2012, as well as the memorable hook-up with Danny Krivit last year. More info here:
It was 30 years ago that I launched my specialist weekly dance night on Friday August 19th 1983 at The Haçienda in Manchester, then very much a club struggling to find its identity. It was a case of too much space and not enough people during those difficult early years of its existence (having opened in May 1982), and, as I’ve said previously, had it not been for New Order’s success (the band were co-directors of The Haçienda) it would never have survived – Peter Hook’s book ‘The Haçienda – How Not To Run A Club’ is testament to the follies of a group of idealists who somehow, despite their near suicidal naivety, managed to (eventually) shape the Manchester nightspot into one of the world’s most legendary clubs:
During recent times I’ve been intrigued to hear about the growing schism on the House scene here in the UK, brought about by the introduction, primarily by young black dancers, of ‘foot shuffling’ (aka ‘cutting shapes’), an increasingly popular style of dancing that has been met with much hostility in certain quarters, and, somewhat bizarrely, resulted in shufflers being banned from some clubs for dancing in this way. The accusation is that not only do they take up too much dancefloor space, but there’s a general ‘moodiness’ with regards to their attitude. Although it no longer seems to be online, there was even an ‘Anti Foot Shuffling Campaign’ page on Facebook, with some of the posts suggesting underlying issues of racism. As one person commented, “It’s not that all these people on here hate shufflers, they just don’t like fact that black people are into House music now.” Although this comment may be well intentioned, it’s also somewhat misguided given there are, and always have been, plenty of black people in the UK who are big into House – it’s just that their presence is usually to be found away from the mainstream, in more specialist avenues like the Deep and Soulful House scenes. Furthermore, some of the older black crowd are also resistant to this new wave of shuffling, so to present it as a purely black / white issue would be wrong.
The most talked about album in many years, Daft Punk’s ‘Random Access Memories’, is released in the UK today, and, as discussed in my post from the beginning of the month, ‘Disco Now Disco Then’ (http://blog.gregwilson.co.uk/2013/05/disco-now-disco-then-2), it’s all set to blitz the charts worldwide.
Happy Mondays ‘Wrote For Luck’ & ‘WFL’
Filmed at Legend, Manchester 1988 & 1989
Whilst DJ obsessives in this country could tell you the minutia with regards to New York’s celebrated club culture of the ’70s, I’m often surprised to find that they know precious little about what was happening here in the UK at the same time David Mancuso, Nicky Siano, Larry Levan and the other NY legends of the ’70s were bringing Disco to the fore. Maybe they think that there wasn’t much happening here, and that UK DJs were simply following the US lead, whilst, to the contrary, nothing could be further from the truth – go back into the ’70s, before Disco hit its stride, and you’ll find hugely influential figures including Ian Levine, Colin Curtis and Les Spaine in the North, Chris Hill, Bob Jones and George Power in the South – DJs with a wealth of knowledge between them, who made their mark on popular culture here at root level. These are giants, upon the shoulders of which subsequent generations of British DJs stand, whether they know it or not.
Not the iconic one up on the balcony, but the initial side of stage location.