I’ve finally managed to collect all my main online activity together, by way of a hub page that provides a sort of easy to bookmark one-stop shop with everything accessible from a single page.
Tag Archives | Electrofunkroots
The complete series of Early 80s Floorfillers is now available to stream on Mixcloud:
Back in the early 2000s, when I began to explore the internet properly, discovering a number of DJ forums discussing dance culture and its history, it was clear that the early ’80s had been largely obscured. This was the period that followed the supposed death of Disco in 1979 (prompted by the vitriolic racist / homophobic ‘’Disco Sucks’ campaign fronted by WLUP Chicago shock jock Steve Dahl), and preceded the emergence of House music during the mid-’80s.
It’s 2013 and Coldcut duo Jonathan More and Matt Black are celebrating the 25th anniversary of their Solid Steel radio show. To mark this milestone, a number of selectors have been invited to contribute a mix to the programme, its presenters choosing various artists and DJs they feel have had a significant presence at some point during the last 25 years. I regard it as a big compliment to be one of those approached, so was more than happy to oblige, the only brief being that they wanted us to weigh in with something that sits outside of that for which we’re generally known, which suited me fine – it was just a case of what?
Move on up
Towards your destination
Though you may find
From time to time
Just uploaded the December ’82 edition of ‘Early ’80s Floorfillers’, which re-visits the biggest tracks I was playing on my nights back in ’82/’83, when I was a black music specialist, resident at venues including Wigan Pier, Legend, The Exit, Berties and The Haçienda in Manchester, and The Stars Bar in Huddersfield. The series is available to stream / download via SoundCloud and my Electrofunkroots website, which includes label / record sleeve scans for all the tracks that make the chart, along with a list of ‘other big tunes’ that month.
EDM (electronic dance music), as they like to call it in the US, has never been bigger, America now fully embracing it, having previously regarded it as a little more than a side-issue, always the bridesmaid and never the bride. Now, the more curious minded dance music enthusiasts Stateside, wishing to avoid the mainstream commercialisation of a previously more underground club culture, are, often for the first time, excavating the mid-late ’80s period, when Chicago House and Detroit Techno emerged (finding far more love at the time in the UK and Europe, than in the country of its origin).
161 posts on, it’s 2 years today since I launched the blog.
When I was in Adelaide in February I received an email from DeFacto, the Nottingham based creative agency whose accounts include the Fred Perry clothing brand. They’d already approached me to appear at one of the monthly Fred Perry Subculture nights they hold at The Garage in London, presenting Reels Of Steel for the first time in the capital, so we’d been discussing a possible line-up for a date later in the year. However, they’d just learned of Afrika Bambaataa’s availability for their 20th April date and, quite rightly, saw this as a perfect fit with me, given my Electro-Funk background, with Bambaataa very much a key inspiration (not to mention that, as serendipity had it, this was exactly 30 years on from his era-defining single with the Soul Sonic Force, the mighty ‘Planet Rock’).
Not the iconic one up on the balcony, but the initial side of stage location.