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Tag Archives | Danny Krivit

Re-Edit Culture – A Potted History Of The DJ Manipulator

Reel To Reel Room

Back in 1966, The Beatles’ record producer, George Martin, executed my favourite singular edit of all time. John Lennon had been working on the now iconic ‘Strawberry Fields Forever’ – he’d recorded 2 versions, and was faced with the dilemma of wanting to use the first section of one recording, but take the rest of the track from a completely different and more progressive version. His comment to George Martin, when the producer pointed out the difficulties of matching pitch and tempo, was ‘you can fix it’. The fixed version is the definitive one that we all know, two recordings perfectly merged together by one decisive splice. You can hear it, if you listen carefully, at just before the minute mark, on ‘going to’:
https://www.youtube.com/watch?v=8UQK-UcRezE 

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The All-Dayer

Loft Studios

On Easter Sunday, The Date @ Loft Studios in London hosts a ‘Disco Special’ All-Dayer, commemorating it’s 2nd birthday with 8 hours of music, commencing at 4pm in the afternoon and continuing until midnight. I’ll be appearing alongside New York’s Studio 54 legend, Kenny Carpenter, plus Baleraric favourite Phil Mison, Faith’s Dave Jarvis, and residents Stuart Patterson and Tim Keenoy. All the info is here:
http://www.residentadvisor.net/event.aspx?563538

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Looking Back Moving On

Got a big Easter weekend coming up soon that kicks off at Sankey’s in Manchester with the Haçienda Good Friday event, and rounds off on Easter Sunday with the Loft Studios All-Dayer in London, where I’ll be appearing alongside former New York Studio 54 resident, Kenny Carpenter. It’ll be my 3rd time at Loft Studios – it’s one of my favourite London venues, and was the location of my 8 hour ‘A Night With…’ session in 2012, as well as the memorable hook-up with Danny Krivit last year. More info here:
http://www.residentadvisor.net/event.aspx?563538

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A&R Edits

Derek Kaye, Greg Wilson, Henry Greenwood

The first 2 releases on the new A&R Edits label are simultaneously issued this week on limited DJ only vinyl – ‘Buffalo Dance’ / ‘Voice of Nature’, Henry Greenwood’s reworks of Neneh Cherry’s ‘Buffalo Stance’ and George Benson’s version of ‘Nature Boy’, and ‘Nobody’ / ‘Music Up’, Derek Kaye’s takes on ‘Ain’t Nobody’ by Rufus Featuring Chaka Khan (which fuses the Frankie Knuckles ‘Hallucinogenic Mix’ and the ‘Bassapella’ with the original) and ‘Turn The Music Up’ by Players Association.

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Disco Now Disco Then

Daft Punk are sitting pretty at the top of the UK singles chart for the first time. The track in question, ‘Get Lucky’, taken from their forthcoming album, ‘Random Access Memories’, came as something of a surprise, for instead of hitching itself to the current EDM juggernaut that’s sweeping America, the French duo have completely bucked the trend by drawing their influence from Disco, featuring its most celebrated guitarist, the great Nile Rodgers of the Chic Organisation (as well as R&B vocalist, Pharrell Williams). A media sensation, it’s everywhere at the moment – on the radio, on the TV, in the clubs and, of course, all over the internet, becoming the most streamed new release in Spotify history. It’s already been re-edited by a whole host of DJs and is pretty much nailed on to be the single of the summer.

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Danny Krivit – Roller DJ

Danny Krivit

A week on Saturday I play a pretty special London gig at Loft Studios alongside NYC edit maestro Danny Krivit, the guy who set the standard back in the ’80s with his classic re-imagining of MFSB’s ‘Love Is The Message’, one of the quintessential New York Disco anthems. Full lowdown on the gig here, at Resident Advisor: http://www.residentadvisor.net/event.aspx?440816

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Remix, Cut ‘n’ Paste, Mash-Up and Edit

As I navigated the winding country lanes on my way to the M5 from Minehead, where I’d been playing the Sunday night 1.00am-3.00am closing slot / graveyard shift at the inaugural ‘House Of Fun’ weekender, I was pleased to discover that there was a programme on the radio about the JFK assassination 48 years ago in 1963. Always a subject of fascination, this would help me whittle away half an hour of journey time as I weaved onwards towards the motorway.

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