The twenty second edition of my ‘Discotheque Archives’ series for DJ Mag is now online, featuring more landmarks in pre-Rave club culture:
Tag Archives | Colin Curtis
It’s a special night tonight, when we look back to one of Manchester’s great clubs, Legend, which was my Wednesday night home circa 1981-84. I’ve previously written about my much-treasured time there in a blog piece called ‘Legend – Manchester’s Other Club’:
The fifteenth edition of my ‘Discotheque Archives’ series for DJ Mag is now online, featuring more landmarks in pre-Rave club culture:
This weekend Colin Curtis celebrates his 50th anniversary as a DJ with a special event at The Exchange in his home city of Stoke-On-Trent. Colin started out in his mid-teens at Newcastle-Under-Lyme’s Crystal Ballroom, before making his all-nighter debut at Stoke’s hallowed Golden Torch, one of Northern Soul’s foundation venues, eventually becoming one of the scene’s leading figures as a result of his legendary ‘70’s partnership with Ian Levine at the Blackpool Mecca. Info about the anniversary date here:
Just uploaded the 6th digital edition of the Discotheque Archives series I’ve been putting together for DJ Mag with the help of Josh Ray. Each month it focuses on a classic DJ, a classic club, a classic record and a classic record label – these are generally a combination of US and UK, with the odd European inclusion, each concerned with aspects of pre-Rave club culture.
The second edition of my ‘Discotheque Archives’ series for DJ Mag is now online, featuring more landmarks in pre-Rave club culture:
‘Don’t You Worry Baby The Best Is Yet To Come’ is a track that was first played at Blackpool Mecca in 1976 following the acquisition of a US promo from fabled Norfolk based Glaswegian record dealer John Anderson (Soul Bowl) by DJ Colin Curtis, and then a release copy via a London based supplier who specialized in importing new American releases to distribute to US Troops in Germany & Europe, specifically black GI’s with a love of Soul and Funk. The Northern Soul sessions at the Mecca were hugely influential, the club revered, along with Manchester’s Twisted Wheel, The Catacombs in Wolverhampton, The Golden Torch in Stoke-On-Trent, and the scene’s most famous venue, Wigan Casino, at the vanguard of the movement.
Like many in the club community, it was a shock to hear that next month’s Southport Weekender, nowadays held at Butlin’s Holiday Resort in Minehead, and attracting over 6,500 people, will be the final one. This much-loved gathering of black music enthusiasts and aficionados has run since 1987 and celebrated its 50th event only last year. ‘Rising costs and expectations’ have been given as the reason for this sudden announcement – the press statement can be read here at Resident Adviser: http://www.residentadvisor.net/news.aspx?id=28827
It’s 10 months since I blogged about the first 2 A&R Edits releases, issued simultaneously on DJ only limited 12” vinyl. Since then there have been 3 further additions, with another to follow next month, making 6 releases in all, each containing 2 tracks.
Having just marked the 10th anniversary of my DJ return, I’ve now reached the 30th anniversary of when I cut out first time around at the end of ’83 – my last Wigan Pier appearance on Tuesday 28th December, before rounding things off at Legend the next night. During the same week my final mix for Mike Shaft’s show on Piccadilly Radio was broadcast. Following on from the previous year’s ‘The Best Of 82’, which had caused such a stir, ‘The Best Of 83’ did what it said on the tin, bringing together the biggest tunes I was playing that year. My successor, Chad Jackson (a future DMC World Mixing Champion) would continue the ‘Best Of’ tradition on Piccadilly, with the baton later handed on to Stu Allan – these end of year mixes continuing until 1992.