DJ Les Adams, regarded as one of the UK’s mixing pioneers, died suddenly last Monday of a heart attack – he was 63.
Tag Archives | Chad Jackson
Back in 1966, The Beatles’ record producer, George Martin, executed my favourite singular edit of all time. John Lennon had been working on the now iconic ‘Strawberry Fields Forever’ – he’d recorded 2 versions, and was faced with the dilemma of wanting to use the first section of one recording, but take the rest of the track from a completely different and more progressive version. His comment to George Martin, when the producer pointed out the difficulties of matching pitch and tempo, was ‘you can fix it’. The fixed version is the definitive one that we all know, two recordings perfectly merged together by one decisive splice. You can hear it, if you listen carefully, at just before the minute mark, on ‘going to’:
Having just marked the 10th anniversary of my DJ return, I’ve now reached the 30th anniversary of when I cut out first time around at the end of ’83 – my last Wigan Pier appearance on Tuesday 28th December, before rounding things off at Legend the next night. During the same week my final mix for Mike Shaft’s show on Piccadilly Radio was broadcast. Following on from the previous year’s ‘The Best Of 82’, which had caused such a stir, ‘The Best Of 83’ did what it said on the tin, bringing together the biggest tunes I was playing that year. My successor, Chad Jackson (a future DMC World Mixing Champion) would continue the ‘Best Of’ tradition on Piccadilly, with the baton later handed on to Stu Allan – these end of year mixes continuing until 1992.
In 2009 I wrote an article on the history of mixing in this country called ‘How The Talking Stopped’. It was the most in depth piece I’d ever written, the research alone had taken many months, including a couple of trips to the British Library in London to comb through the copies of Record Mirror they have archived there, for it was within this magazine that the person who I’d certainly argue did more to promote UK DJ culture than any other human being, connected (via his essential weekly dance column) with fellow DJs in every corner of the country. This was the literally larger than life James Hamilton (1942-1996), and if you’re a British DJ, whether you’ve heard of him or not, you can’t have escaped his influence, for he’s part of the very fabric of our DJ / club heritage.
During the 1980s Morgan Khan was viewed as a ‘dance music mogul’, a true instigator who enriched British culture via his unyielding efforts, driven by ‘an ego’, as Blues & Soul once put it, ‘bordering on the manic’ – Khan was (and remains) a force of nature. The fact that his absolutely pivotal contribution to the UK dance movement is constantly ignored remains a great travesty. If you know nothing about his Street Sounds label your knowledge of how dance culture developed in this country is terminally flawed – it’s as simple as that.
You don’t know how happy I am to be able to tell you that, after months and months of chipping away, the new redesigned revitalized Electrofunkroots website is now live and kicking, having undergone a complete overhaul, with loads of new content added. Full menu here:
For my 100th blog post thought I’d flag up another personal anniversary this month.
A great new book documenting the London based dance publication Soul Underground is now available via DJ History. ‘Catch The Beat’ spans the pivotal years 1987-1991, as UK dance culture was breaking out of its previously specialist confines and coming right into mainstream focus.