Daft Punk are sitting pretty at the top of the UK singles chart for the first time. The track in question, ‘Get Lucky’, taken from their forthcoming album, ‘Random Access Memories’, came as something of a surprise, for instead of hitching itself to the current EDM juggernaut that’s sweeping America, the French duo have completely bucked the trend by drawing their influence from Disco, featuring its most celebrated guitarist, the great Nile Rodgers of the Chic Organisation (as well as R&B vocalist, Pharrell Williams). A media sensation, it’s everywhere at the moment – on the radio, on the TV, in the clubs and, of course, all over the internet, becoming the most streamed new release in Spotify history. It’s already been re-edited by a whole host of DJs and is pretty much nailed on to be the single of the summer.
Tag Archives | Beats In Space
Like so many of my generation I was transfixed to my TV screen exactly 40 years ago today, when David Bowie performed ‘Starman’ on Top Of The Pops, and Ziggy Stardust, the singer’s alter ego, burst ever so brashly into public consciousness, ushering in a new era for Pop music.
I was listening to Radio 4 on my way back from Bestival last month and there was an interview on their arts programme that really caught my attention. It was with Janelle Monáe, an American recording artist who’s been getting big acclaim for her album ‘The Archandroid’. I was fascinated with the off the wall stuff she had to say – she certainly looks at things from a novel perspective. Apart from being intrigued to hear first-hand what the fuss was all about with her music, which I was informed covered a whole spectrum of styles, I also had an ulterior motive – having learnt that it was a concept album set in a science fiction future, I wondered if there was anything on there that might suit the mix I was about to put together for Beats In Space (see the ‘Hazy Cosmic Jive’ previously posted). So when I got home I ordered myself a copy.
Beats In Space, the cult New York radio show hosted by Tim Sweeney, has a dedicated audience of groove aficionados and is held in high regard by the underground dance community worldwide. Tim asked me to do a mix for the show as far back as 2006, but a US tour that was in the pipeline never materialised, so the idea went on the backburner and, although my intention was to find the time to do something special for the show, life moved on and, before I knew it, it was 2010.