header

Tag Archives | Andrew Weatherall

The Reward For Work Is More Work

When my agent, Matt Johnson, booked me in for ‘A Night With…’, I hadn’t realised that it did exactly what it said on the tin, namely present just the one DJ for the full 8 hours the venue was open. I generally play for either 2 or 3 hours, with the odd 4 hour slot along the way – the only times I can recall playing longer (since I started out again), was a night at The Key in London back in 2005, and then the Credit To The Edit launch parties, both Sunday All-Dayers held at a couple of East End boozers (The Dolphin in 2005 and The Horse & Groom in 2009), so, as you can imagine, it came as a bit of a shock when the penny dropped and I realised that I’d unwittingly signed up for a marathon, but I quickly warmed to the idea and began to ponder the possibilities it presented.

Continue Reading →

11

Living To Music – Talking Heads ‘Stop Making Sense’

ARTIST: TALKING HEADS

ALBUM: STOP MAKING SENSE

LABEL: SIRE

YEAR: 1984 (SPECIAL NEW EDITION 1999)

This Sunday (June 3rd) at 9pm, you’re invited to share a listening session with some likeminded souls, wherever you might be. This can be experienced either alone or communally, and you don’t need to leave the comfort of your own home to participate. Full lowdown here:
http://blog.gregwilson.co.uk/2010/06/living-to-music/

Continue Reading →

12

Living To Music – Primal Scream ‘Screamadelica’

ARTIST: PRIMAL SCREAM

ALBUM: SCREAMADELICA

LABEL: CREATION

YEAR: 1991

This Sunday (April 3rd), at 9pm, you’re invited to share a listening session with some likeminded souls, wherever you might be. This can be experienced either alone or communally, and you don’t need to leave the comfort of your own home to participate. Full lowdown here:
http://blog.gregwilson.co.uk/2010/06/living-to-music/

Continue Reading →

20

Warehouse @ Vintage Goodwood

I got involved with Vintage on the back of ‘Music Played In Discotheques’, the mix of tracks I put together from the years leading up to when I stared deejaying in the clubs in late 1975, illustrating an era when disco music wasn’t a genre as such, but the music played in clubs and discotheques. This was something Wayne Hemingway and his son Jack (who’d been to some of my DJ dates) had asked me to do for the silent disco space they’d curated at Liverpool’s Tate Gallery, the centrepiece being an underlit disco dancefloor.

Continue Reading →

13